Château Margaux, one Bordeaux’s oldest and most highly-regarded wineries, followed the current and surprisingly pairing between good wines and modern architecture. From Frank Gehry’s Marqués de Riscal`s headquarter to Zaha Hadid’s futuristic extension at López de Heredia in Rioja, Spain, a contingent of high-profile architects have been giving centuries-old wineries a modern vision.
Norman Foster is latest to work on a storied wine estate and his client is honoring him in a very special way. For the first time in its history, and for this year only, Château Margaux wanted to create a special bottle for its Grand Vin 2015, broking tradition and released a sleek new bottle design, with a magnificent silk-screen print, specially conceived for this vintage, affixed to the glass in place of the usual labels, a new bottle design featuring the British architect’s modern building etched in silver.

If you happen to be a wine-loving fan of Lord Foster's œuvre and are considering to add the redisegned bottle for the 2015 Grand Vin of Château Margaux to your collection, be prepared because a 750 ml-bottle is currently selling for upwards of $1,300 in the USA. The redesign for the 2015 Grand Vin is the first in Château Margaux’s 500-year history.

Grand Vin 2015 is exceptional in three respects. Exceptional for the quality of this vintage which benefited from perfect weather conditions, features of the very great years like 2005, 2009 and 2010. Exceptional also for its historical importance since it arrived to celebrate 2 centuries of architecture and the inauguration of their new buildings designed by Lord Norman Foster. Exceptional, finally, because it is Paul Pontallier’s last vintage, and it is our desire to pay tribute to him. Therefore, the Château Margaux 2015 bottles have been decorated with a magnificent silk-screen print, specially conceived for this vintage, affixed to the glass in place of the usual labels. By means of this unique bottle we wish to immortalise the 2015 vintage which seems to have been created for eternity and which will remain a fantastic vintage for all of us, tinged with very special emotion.
 
In 2015, Foster unveiled the modern additions to the Neo-Palladian estate nicknamed “Versailles of the Médoc.” Château Margaux’s mother-daughter owners Corinne Mentzelopoulos and Alexandra Petit-Mentzelopoulos were attracted to Foster’s tempered modernism, which to them, evoked the contemporary winemaking style they’ve been championing lately.

“As a lover of wine there is only one Château Margaux—it is a hallowed label. This design has been inspired by the character of the existing estate,” explained Foster, noting work of architect Guy-Louis Combes in 1815. “At first glance there does not appear to be a new building. This is deliberate and it is only on closer inspection that the new addition is revealed.”
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Norman Foster is considered by many to be the most prominent architect in Britain. He won the 1999 Pritzker Architecture Prize and the 2009 Príncipe de Asturias de las Artes Prize.

Lord Foster rebuilt the Reichstag as a new German Parliament in Berlin and designed a contemporary Great Court for the British Museum. He linked St. Paul's Cathedral to the Tate Modern with the Millennium Bridge, a steel footbridge across the Thames. He designed the Hearst Corporation Building in Manhattan, at 57th Street and Eighth Avenue.

He was born in Manchester, England, in 1935. Among his firm’s many other projects are London’s City Hall, the Bilbao Metro in Spain, the Canary Wharf Underground Station in London and the renovated courtyard of the Smithsonian American Art Museum and National Portrait Gallery in Washington.

In the 1970s, Lord Foster was one of the most visible practitioners of high-tech architecture that fetishized machine culture. His triumphant 1986 Hong Kong and Shanghai bank building, conceived as a kit-of-parts plugged into a towering steel frame, was capitalism's answer to the populist Pompidou Center in Paris.

Nicolai Ouroussoff, The Times’s architecture critic, has written that although Lord Foster’s work has become sleeker and more predictable in recent years, his forms are always driven by an internal structural logic, and they treat their surroundings with a refreshing bluntness.

Awarded the Prince of Asturias of the Arts 2009.

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Published on: December 31, 2017
Cite: "Margaux tributes Foster's building, redesigning new bottle for 2015 Grand Vin" METALOCUS. Accessed
<http://www.metalocus.es/en/news/margaux-tributes-fosters-building-redesigning-new-bottle-2015-grand-vin> ISSN 1139-6415
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