In 2018, the city of Yiwu, in China’s Zhejiang Province, hosted an international competition to design the ‘Yiwu Grand Theater’ on an island near the south bank of the Dongyang River, which flows through the city.

The contest was part of an effort by the city to elevate itself from a successful center of trade, to a hub of culture. The competition’s finalists included arata isozaki, christian de portzamparc, GMP, KDG, and the winner, MAD architects, led by Ma Yansong.
Chinese architecture studio designed a theatre surrounded by water, with the region’s mountains as its backdrop and topped with "glass sails", a protective canopy that give appearance of a chinese ships sailing on the river. The theatre complex will consist of two theatres and a conference centre alongside a large plaza.

The subtle curves roof are echo of Jiangnan-style eaves of the former vernacular architecture, typical of the region. Meanwhile, the transparency and lightness of the material express the texture of thin, silky fabric, creating a dynamic rhythm that makes them appear as if they are blowing in the wind.
 

Description of project by MAD architects

Yiwu, in China’s Zhejiang province, has established itself internationally for its strong economy, as the world’s largest wholesale commodities market. Domestically, it is traditionally known as a city of trade, thus making it an integral part of the country’s ‘Belt and Road Initiative.’ While being a hub of growing international commerce, the city decided in 2018 that it would focus on culture to further elevate its soft power, and hosted an international competition to design the ‘Yiwu Grand Theater.’ MAD Architects, led by Ma Yansong, competed against four other global architecture firms, coming out ahead of Arata Isozaki & Associates, Atelier Christian de Portzamparc, GMP, and KDG, to secure the project.

Located on the south bank of the Dongyang River, the ‘Yiwu Grand Theater’ encompasses a grand theater (1600 seats), medium theater (1200 seats), and international conference center (2000 person capacity). Positioned with the mountains in the distance as its backdrop, and the water as its stage, MAD’s design responds to its locale, and appears as a boat, floating on the river. It is defined by a layering of glass sails that are reminiscent of the Chinese junks that once transported goods across the waters, while their subtle curves echo the Jiangnan-style eaves of the ancient vernacular architecture that is typical of the region. The transparency and lightness of the glass express the texture of thin, silky fabric, creating a dynamic rhythm that makes them appear as if they are blowing in the wind. They act as a protective canopy around the building, resonating with the river, elegantly floating above the water’s surface, setting a romantic atmosphere.

To reduce overall energy consumption, MAD has conceived the theater with a passive solar design. Thus, the semi-transparent glass curtain wall has been developed to not only act as a shading system, but to also optimize the use of natural light within the indoor public spaces, forming a solar greenhouse effect in the winter. In the summer, it serves as the ventilation system, enhancing airflow circulation inside and outside of the building.

Envisioned as a public space for the city, the ‘Yiwu Grand Theater’ is easily accessed from all directions. Vehicular transportation can enter from the south shore, while tree-lined foot bridges from the north offer pedestrians the opportunity to meander along the water and enjoy views of the city, theater, and greater waterfront as they approach the building. Emphasizing public interaction, the scheme features an amphitheater and large open plaza that extends into the water on its southern edge, while landscaped terraces offer elevated views of the site’s surroundings, and areas of quiet contemplation – an immersive natural experience in the urban context.

The ‘Yiwu Grand Theater’ has been designed as a monument for the city, that will serve to connect inhabitants to the waterfront from a new perspective. In its completion, it will stand as a world-class venue that will attract visitors from around the globe, putting Yiwu on the map as a cultural destination. Construction on the ‘Yiwu Grand Theater’ is expected to begin in 2020.

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Architects
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MAD architects — Principal Partners in Charge.- Ma Yansong, Dang Qun, Yosuke Hayano.
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Design team
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Zhu Yuhao, Zheng Chengwen, Kazushi Miyamoto, Shang Li, Ma Yin, Jordan Demer, Guo Wenjia, Zhu Zixiao
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Collaborators
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Associate Partners in Charge.- Fu Changrui, Liu Huiying
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Clients
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Administration Committee of Silk Road New District of Yiwu.
Culture, Broadcasting & Television, Tourism and Sports Bureau of Yiwu.
Yiwu City Construction Investment Group Limited.
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Area
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Site area.- 47,000 square meters. Building area.- 95,290 square meters (Ground.- 48,942 square meters; Underground.- 46,348 square meters).
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mad is a Beijing-based architecture design office dedicated to creating innovative projects. Founded by Ma Yansong in 2004, MAD Architects is led by Ma Yansong, Dang Qun, and Yosuke Hayano. It is committed to developing futuristic, organic, technologically advanced designs that embody a contemporary interpretation of the Eastern affinity for nature. With a vision for the city of the future based on the spiritual and emotional needs of residents, MAD endeavours to create a balance between humanity, the city, and the environment.

MAD's projects encompass urban planning, urban complexes, municipal buildings, museums, theatres, concert halls, and housing, as well as art and design. Their projects are located in China, Canada, France, Italy, Japan, the Netherlands, and the United States. In 2006, MAD won the design competition for the Absolute Towers in Mississauga, Canada. Through this, MAD became the first Chinese architecture firm to build a significant high-rise project abroad. In 2014, MAD was selected as the principal designer for the Lucas Museum of Narrative Art in Los Angeles, USA, becoming the first China-based architecture firm to design an overseas cultural landmark. MAD’s signature cultural projects include Ordos Museum (2011, China), Harbin Opera House (2015, China), Tunnel of Light (2018, Japan), China Philharmonic Concert Hall (under construction), Yiwu Grand Theater (under construction), FENIX Museum of Migration in Rotterdam (under construction), Cloudscape of Haikou (2021, China), and Shenzhen Bay Culture Square (under construction). Other urban projects include the Clover House kindergarten (2015, Japan), Chaoyang Park Plaza (2017, China), China Entrepreneur Forum Conference Centre (2021, China), Jiaxing Train Station (under construction), Quzhou Sports Campus (under construction), and Nanjing Zendai Himalayas Center (under construction), among others.

While practising architecture, MAD documents and discusses its reflections on architecture, culture, and arts through publications, architectural exhibitions, as well as academic lectures and presentations. MAD’s publications include Mad Dinner, Bright City, MA YANSONG: From (Global) Modernity to (Local) Tradition, Shanshui City, and MAD X. MAD has organized and participated in several contemporary art and design exhibitions, including MAD X, a solo exhibition at the Centre Pompidou in 2019; Shanshui City, at UCCA in 2014; Feelings are Facts, a spatial experience exhibition with artist Ólafur Eliasson at UCCA in 2010; and MAD in China, a solo exhibition at the Danish Architectural Center, Copenhagen in 2007. MAD has participated in significant exhibitions at several iterations of the Venice Architecture Biennale and Milan Design Week. MAD has also participated in exhibitions at the Victoria and Albert Museum (London), the Louisiana Museum of Modern Art (Copenhagen), and MAXXI (Rome). An array of MAD’s architecture models have been acquired by the Centre Pompidou and M+ Museum (Hong Kong) as part of their permanent collections.

MAD has offices in Beijing (China), Jiaxing (China), Los Angeles (USA), and Rome (Italy).

Ma Yansong, Yosuke Hayano and Qun Dand.

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Published on: July 8, 2019
Cite: "MAD’s ‘Yiwu Grand Theater’ Winning Proposal. Tradition floating on the water" METALOCUS. Accessed
<http://www.metalocus.es/en/news/mads-yiwu-grand-theater-winning-proposal-tradition-floating-water> ISSN 1139-6415
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