Architecture firm MAD Architects, led by Ma Yansong, has revealed images of a masterplan and architectural project for the “Shenzhen Bay Culture Park”, China.

The complex covers roughly 51,000 square meters, with a total building area of ​​182,000 square meters, including the Creative Design Hall, the Shenzhen Science and Technology Museum, with an expansive public green space along the waterfront in Shenzhen. It is expected to be completed in 2023.
“When building a cultural landmark on a site positioned between the dynamic energy of a modern city and quiet timelessness of nature, it should be imagined as a free civic space – at first a land art park, with its functions complementing its aesthetics.”
Ma Yansong

Set between the vibrant city of Shenzhen, and the quiet oceanfront, “Shenzhen Bay Culture Park” juxtaposes two transcendental scales of time – the ‘ancient’ and the ‘future’ – through the setting of an ethereal artistic urban landscape.

The main concept of design is shaped by an open green plaza. Spread across the ground floor are a reception area, standard exhibition halls, public education space, library, auditorium, theater, cafe, and supporting businesses. These programs are depressed into the terrain and will remain unseen from above.
 
“I want to create a surreal atmosphere, so that the people who visit, relax or exercise here have the possibility of engaging in a dialogue with the past and the future. Time and space are dissolved and placed against each other, manifesting a sense of weightlessness, and unrestrained imagination”
Ma Yansong.
 
Pedestrian pathways from the city lead directly into the park, allowing an almost seamless transition from the largest urban area to the project's public green space. The gentle sloping of the roof naturally falls into the ground, shaping several sunken courtyards of continuous height across the park.

The sweeping green roofs and recessed courtyards form the foundation of this ‘three-dimensional’ citizen’s park. It not only serves as a 24-hour open public space, but it also functions as a performance venue and exhibition area.

A mirrored pool at the heart of the site serves as an en plein air seaside amphitheater that can accommodate 10,000 people. Multiple platforms found across the enduring landscape provide outdoor performance venues and public art exhibition areas shaping a dynamic civic space for hosting art and music festivals, and other domestic and international events – a place of cultural exchange.

The north and south pavilions each sit on opposite sides of the axis, and stand as smooth monumental stones, quietly settling into the environment. They sit backed by the city’s powerful development, and face the open calm of nature and the ocean in front of them, uniquely marking the passage of time.

Along the top floor of the south pavilion, visitors can walk through the exhibition space to reach a viewing platform that overlooks Shenzhen Bay and the city skyline. The special exhibition hall’s highest space soars to 30 meters. The unique gallery can accommodate a diverse display of large-scale installations, videos, multi-media, and performances, delivering stunning architectural spatial effects.

The “Shenzhen Bay Culture Park” is located within the Houhai area of Shenzhen’s Nanshan district. In the past decade, the economy of this area has developed rapidly into the city’s financial and innovation hub. In 2019, the GDP of the district exceeded 600 billion RMB. It is home to world-class enterprises such as Alibaba Cloud, Huawei,  and Tencent, which has coined it the nickname “China's Silicon Valley.”

The numerous high-rises that have emerged as a result of economic and technological development now stand as a contrasting backdrop to MAD’s design. As the city thrives economically it now seeks to establish itself on a more cultural level. The “Shenzhen Bay Culture Park” is one of ten new cultural facilities spearheaded by the Shenzhen city development, and represents Shenzhen’s ambitions of becoming a “city of culture with global influence.”
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Architects
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MAD Architects. Principal partners-in-charge.- Ma Yansong, Dang Qun, Yosuke Hayano. 
Associate Partners-in-Charge.- Kin Li, Tiffany Dahlen 
Design.
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Project team
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Li Cunhao, Zhang Chao, Neeraj Mahajan, Sun Shouquan, Zhang Yaohui, Huang Jinkun, Maria Corella, Kenji Hada, Lin Zi Han, Yu Lin, Yan Ran, Chen Yi-en , Liu Hailun, Pittayapa Suriyapee, Lei Kaiyun, Alessandro Fisalli, Edgar Navarrete S., Haruka Tomoeda, Lu Zihao.
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Collaborators
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Executive architect.- East China Architectural Design and Research Institute
Structural consultant.- Arup Engineering Consulting.
Facade consultant.- RFR.
Interior design.- Shanghai Xian Dai Architectural Decoration & Landscape Design Research Institute Co.
Lighting design.- Beijing NingXhiJing Lighting Design Co.
Signage design.- Kenya Hara (Nippon Design Center).
Acoustic design.- Guangdong Qiyuan Architectural Engineering Design Institute Co.
Traffic consultant.- Paimeng Transportation Consulting (Shanghai) Co.
Traffic assessment.- China Urban Development Institute Co.
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Renderings
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Proloog. MIR
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Ma Yansong is a Beijing-born architect (1975) recognized as an important voice in a new generation of architects. He graduated from the Beijing Institute of Civil Engineering and Architecture. Ma attended Yale University after receiving the American Institute of Architects Scholarship for Advanced Architecture Research in 2001 and holds a master's degree in Architecture from Yale. 

He shares his knowledge as an adjunct professor at the Beijing University of Civil Engineering and Architecture, Tsinghua University, and the University of Southern California. Ma Yansong's journey is a continuous narrative unfolding, exploring innovation and pushing the boundaries of what we perceive as the built environment.

Since the founding of MAD in 2004, his works in architecture and art have been widely published and exhibited. Ma Yansong was awarded the 2006 Architecture League Young Architects Award. In 2008 he was selected as one of the twenty most influential Young Architects today by ICON magazine and Fast Company named him one of the ten most creative people in architecture in 2009. In 2010 he became the first architect from China to receive a RIBA fellowship.

“I work with emotion and with the context. When I design a building, I close my eyes and feel as if I saw a virtual world which lays half way between the city, the nature and the land. It goes from large scale to small scale. Many things travel in front of my eyes; I feel them and try to find the way to express my feelings. The language I use is the least important of it all. It does not matter whether they are straight lines, curves... I only intend for people to feel the same or to find something unexpected” says Ma Yansong. “MAD is an attitude, a posture towards architecture, towards society. Through our work we want people to be inspired by a place through local nature, time and space”, he states.

Photograph by Daniel J.Allen

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mad is a Beijing-based architecture design office dedicated to creating innovative projects. Founded by Ma Yansong in 2004, MAD Architects is led by Ma Yansong, Dang Qun, and Yosuke Hayano. It is committed to developing futuristic, organic, technologically advanced designs that embody a contemporary interpretation of the Eastern affinity for nature. With a vision for the city of the future based on the spiritual and emotional needs of residents, MAD endeavours to create a balance between humanity, the city, and the environment.

MAD's projects encompass urban planning, urban complexes, municipal buildings, museums, theatres, concert halls, and housing, as well as art and design. Their projects are located in China, Canada, France, Italy, Japan, the Netherlands, and the United States. In 2006, MAD won the design competition for the Absolute Towers in Mississauga, Canada. Through this, MAD became the first Chinese architecture firm to build a significant high-rise project abroad. In 2014, MAD was selected as the principal designer for the Lucas Museum of Narrative Art in Los Angeles, USA, becoming the first China-based architecture firm to design an overseas cultural landmark. MAD’s signature cultural projects include Ordos Museum (2011, China), Harbin Opera House (2015, China), Tunnel of Light (2018, Japan), China Philharmonic Concert Hall (under construction), Yiwu Grand Theater (under construction), FENIX Museum of Migration in Rotterdam (under construction), Cloudscape of Haikou (2021, China), and Shenzhen Bay Culture Square (under construction). Other urban projects include the Clover House kindergarten (2015, Japan), Chaoyang Park Plaza (2017, China), China Entrepreneur Forum Conference Centre (2021, China), Jiaxing Train Station (under construction), Quzhou Sports Campus (under construction), and Nanjing Zendai Himalayas Center (under construction), among others.

While practising architecture, MAD documents and discusses its reflections on architecture, culture, and arts through publications, architectural exhibitions, as well as academic lectures and presentations. MAD’s publications include Mad Dinner, Bright City, MA YANSONG: From (Global) Modernity to (Local) Tradition, Shanshui City, and MAD X. MAD has organized and participated in several contemporary art and design exhibitions, including MAD X, a solo exhibition at the Centre Pompidou in 2019; Shanshui City, at UCCA in 2014; Feelings are Facts, a spatial experience exhibition with artist Ólafur Eliasson at UCCA in 2010; and MAD in China, a solo exhibition at the Danish Architectural Center, Copenhagen in 2007. MAD has participated in significant exhibitions at several iterations of the Venice Architecture Biennale and Milan Design Week. MAD has also participated in exhibitions at the Victoria and Albert Museum (London), the Louisiana Museum of Modern Art (Copenhagen), and MAXXI (Rome). An array of MAD’s architecture models have been acquired by the Centre Pompidou and M+ Museum (Hong Kong) as part of their permanent collections.

MAD has offices in Beijing (China), Jiaxing (China), Los Angeles (USA), and Rome (Italy).

Ma Yansong, Yosuke Hayano and Qun Dand.

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Published on: June 26, 2020
Cite: "MAD designed “Shenzhen Bay Culture Park”, as scales of time for a young city" METALOCUS. Accessed
<http://www.metalocus.es/en/news/mad-designed-shenzhen-bay-culture-park-scales-time-a-young-city> ISSN 1139-6415
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