1. Asile Flottant of Le Corbusier. Launch of rehabilitation works in may 2020
Asile Flottant is one of Le Corbusier's most striking works since it is a floating architecture, a project he carried out at the request of the Salvation Army. It was completed in 1929 and its purpose was to house refugee women in Paris due to the First World War. Today, it is anchored on the left bank of the River Seine.
It reflects the architect's experimentation within the framework of modern architecture through the addition of piloti, horizontal ribbon windows, and a terrace that features greenery. Thus, it is interior space and a high level.
Le Corbusier defended social and economic housing, at the same time that he referred to these as living machines and expounded an idea of mass production and standard housing.
In this case, he applies for the first time one of his "five points of architecture", "The horizontal garden city", which was an idea of the architect's utopian city. Also, he carried out the concept of polychrome in this project, experimenting with color.
At first, Le Corbusier conceived the work in concrete, although through Weber's intervention, finally the structure was made in steel, an element that represented the modern for it.
The roof becomes the starting point of the construction, coming to be considered as a sculpture in itself.
It belongs to the series of houses that made up the Maison Domino project, being the last of the four. It reflects the architect's interest in visual and aesthetic order, associated with reason and geometry.
The two facades are differentiated from each other by a projecting cantilevered structure located at both the front and rear, while the sides are flush with the piles. You can see, also at first glance, the setback of the ground floor concerning the main floor.
It was a single-family home while serving as a doctor's office. It was declared a National Monument in 1987 and currently houses the headquarters of the College of Architects of the Province of Buenos Aires (CAPBA).
The construction brings together the fundamental principles of architecture, these being the free façade, the construction on pilotis, a free ground floor, a garden terrace, and an environment that is designed to suit man.
It belongs to a group of houses considered "purists" built by the architect in Paris in the 1920s. Its relevance lies in the fact that it forms the basis of the "Five Points of modern architecture".
The house is made up of volumes represented with simple geometric shapes and smooth walls. This is the result of a reinforced concrete column and beam structure, while the infill is brick.
The Cité Radieuse housing block by Le Corbusier belongs to the Unité d’habitacion project, located in the city of Marseille. One of its roofs has been transformed by the designer Ora-Ïto, opening it to the public as a space for contemporary art.
The designer continues the tradition and avant-garde vision that Le Corbusier reflected in his architecture.
The building is surrounded by forest and has a total of 530 apartments. All of them, except the one-bedroom ones, are spread over two floors. They were built around an interior street and connected by elevators to the lobby.
It stands out for its efficiency in rational development, but also the use of pieces with concrete finishes. This helped the building to be complete in 18 months.
The convent is a unique project of Le Corbusier was destined to a community of Dominican friars. It is a concrete building that houses a hundred individual cells and a church.
This project is among those listed by UNESCO as a World Heritage Site. It was also the last project of the architect built in Europe.
In it, you can see the use of the "Five Points of modern architecture", for example, with the elevation of the structure on reinforced concrete piles.
The Neelam Theater was designed by Le Corbusier in collaboration with the architect Aditya Prakash in the early 1950s in the city of Chandigarh.
Le Corbusier has helped this city acquire its character and identity, turning its structures into its icons.
The large cinema hall is striking, showing a great explosion of the color blue, a decorative expression that aims to unify the patterns of the movement with techniques and influences typical of Indian culture.