João Vilanova Artigas's work, which spans five decades in all, is prolific and extensive. Unfortunately, much of this work is in a precarious state of preservation today. As a result, the most expressive group of works that are well-or reasonably well-preserved consists of single-family houses and apartment buildings. These we have chosen according to criteria of aesthetic and discursive importance, mainly from the so-called 'brutalist' phase, which is without doubt the architect's most personal and radical. Oustanding among these are the Louveira Building (1946-1949), Vilanova Artigas's second house (1949), the Baeta House (1956-1957), the Rubens de Mendonça House (1958-1959), the second Taques Bittencourt house (1959), the Ivo Viterito House (1962-1963), the Mendes André House (1966-1967), the Elza Berquó House (1967) and the Martirani House (1969-1974), all in São Paulo.
For the first time outside of Brazil, 2G presents the widest selection of the work of this great architect, considered to be the key figure of the architecture created in São Paulo in the 1960s and 70s. An oeuvre defined by the meeting of poetic disquiet and constructional rigour, which has crossed the frontiers of Brazilian architecture in recent years thanks to the international dissemination of the work of Paulo Mendes da Rocha (1928).
More information
Published on:
October 6, 2010
Cite: "JOÃO VILANOVA ARTIGAS" METALOCUS.
Accessed
<http://www.metalocus.es/en/news/joao-vilanova-artigas>
ISSN 1139-6415
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