On the occasion of Open House Madrid, in which more than one hundred buildings will be open to the public during the last weekend of September, from Metalocus we want to present you the Hydrographic Studies Center, designed by Miguel Fisac in 1963, an example of his experimentation with the concrete.

Open House Madrid invites you to visit one of the most significant works of Miguel Fisac ​​located along the Manzanares river, the Hydrographic Studies Center. In 1960 Miguel Fisac ​​Serna was commissioned to design a new building to house two agencies until then separate, the Hydrographic Studies Center and the Hydraulics Laboratory. In March of that same year they began the first sketch of a project that ended three years later, and has become a benchmark of the Spanish architecture of the 60s.

The careful design of these 'vertebra-beams', named so by Fisac ​​for its resemblance to the bony structures of the animals, that allow to save the 22 meters of the building

Fisac ​​design poses a division of the building into two volumes that are connected only by a hall located on the first floor. A six-storey main building with the offices, meeting rooms and auditorium, and a second volume containing the models' storehouse and water tanks. The novelty proposed by Fisac ​​goes beyond the structural design, the use of concrete as only building material contrasts with institutional granite buildings that were being built at that time. Fisac ​​made of concrete a noble material, which is both the internal and external finishing of the building, taking special care of the wooden forms, whose streaks can be seen on the walls of the building.

The models' storehouse is probably the most interesting part, or at least remarkable, of the complex, a large open room, 80 x 22 meters, covered with beams that were originally formed by pieces of concrete joined together. The careful design of these 'vertebra-beams', named so by Fisac ​​for its resemblance to the bony structures of the animals, that allow to save the 22 meters of the building, to have indirect natural light, needed for conducting tests, and also to evacuate the water from the roof cover, although in 1995 modifications were made on the roof because of some filtration and water accumulation problems. vertebra-beams were replaced by continuous prestressed concrete beams in order to avoid joints between elements, increasing at the same time the slope of the roof. The internal modulation of the beams was kept visually,in order to keep the original design of the interior space as much as possible.

During the construction of Fisac's project a future expansion of the building was already being planning, the extension was finally made in 1969 by architect José Antonio Torroja. This design had the support and collaboration of Fisac, but it has nothing to do with the spatial conception of his models' storehouse since Torroja uses a three-dimensional steel structure to create a larger space that connects with the models' storehouse in the southern part. This was the only extension made in a building since its construction, more than fifty years ago, and it continues with the use for which it was designed. However, the passage of time has taken its toll on the building and its facilities, which have been remedied, such as the beams of the door canopy after an accident with a truck or the mirrored windows set up to replace the original windows that were destroyed by a bomb nearby.

Miguel Fisac also took care of the design of the furniture of the offices and the conference rooms, complete with other pieces of avant-garde artists such as Mies van der Rohe, Harry Bertoia and Juan Ignacio Cardenas. The moldings of the ceiling and its lights, the wood paneling on the walls or the marble floor of the lobby, made up of parts of different sizes that have their own plan for proper placement are also details made by Fisac.

In the words of Miguel Fisac during his visit in 2003 to mark the 40th anniversary of the building, "The author of the project designed forty years ago is very excited to see how they are caring for this building, and this is something that an architect thanks to wholeheartedly".

CREDITS. DATA SHEET.-

Architects.- Original building.- Miguel Fisac Serna (1963). Extension.- Jose Antonio Torroja (1969).
Collaborators.- Calculist.- Jose Maria Pliego. Executor.- Ricardo Barredo.
Client.- Centre for Hydrographic Studies and Hydraulics Laboratory.
Area.- Modelos' storehouse.- 2000 sqm (80 x 22 m). Extension.- 6000 sqm.
Dates.- First sketches.- March 1960. Project.- November 1960. Inauguration.- July 1963. Extension.- 1969.
Location.- low Paseo Virgen del Puerto, 3, 28005, Madrid, Spain.

We would like to express our gratitude for the collaboration of Maria Isabel Berga Cano, of the Hydrographic Studies Center - CEDEX, for her help on the investigation of this article.

 

 

CENTRO DE ESTUDIOS HIDROGRÁFICOS / HYDROGRAPHIC STUDIES CENTER by MIGUEL FISAC SERNA.

Venue.- Paseo Bajo de la Virgen del Puerto, 3. Madrid.
Dates.- Thursday 15.00 to 16.00h an Friday, from 10.00 to 11.00h.
Registration.- Sold out.

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Miguel Fisac ​​Serna, born in 1913 in Daimiel, Ciudad Real and died in 2006 in Madrid. He was an essential figure in Spanish architecture in the second half of the twentieth century. He enrolled at the School of Architecture in Madrid, and after hectic studies interrupted by the civil war, in 1942 he graduated with the end of his career award from the Royal Academy of Fine Arts of San Fernando.

He was always interested in vernacular architecture. In addition, he was inspired by the Nordic organicism of Gunnar Asplund's work that together with Frank Lloyd Wright will influence his concept of architecture.

His first project was commissioned by the CSIC; He transformed the old auditorium of the "Colina de los Chopos" in Madrid in the Capilla del Espíritu Santo.

Miguel Fisac ​​in his career projected numerous religious works. Its ecclesial production stands out for the personal interpretation of religious aesthetics, the use of light and the spatial dynamism and poetics in its forms, with curved walls, converging and tensioned surfaces.
The Parroquia de Santa Ana in Madrid (1965) is considered one of the most important projects. Built in exposed concrete, it manifests an atmosphere of humble simplicity.

His architectural style evolved in relation to the new materials of the time. From abstract classicism, to brick, to the exclusive use of concrete. Fisac ​​researched a lot about this material and patented his “bone beams”. Prefabricated pieces of prestressed concrete that allowed to obtain large lights and control lighting. In 1960 they were used for the first time, in the construction of the Centro de Estudios Hidrográficos in Madrid.

Later, he experimented with various techniques to give texture to concrete, including in his work a more emotional character. His dissatisfaction with the limits of traditional wooden formwork, led him to patent, in 1973, an innovative solution for the time: the "flexible formwork" that could be implemented in the Mupag Rehabilitation Center (Madrid) and in many others later works.

His activity was not reduced only to the field of construction, but his creative ability led him to write articles, books, and design furniture. He made exhibitions, also of art presenting 60 of his paintings in Madrid.

Miguel Fisac ​​built more than 350 projects, including the emblematic "Pagoda" in Madrid, which unfortunately was demolished in 1999. On the contrary, many of his works are protected and cataloged. Some examples are the Church of Pumarejo de Tera (Zamora), the Church of the Apostolic College of the Dominican Fathers (Valladolid), and in Madrid works such as the Parish Center of Santa María Magdalena (1966) or the IBM Building (1967).

All these activities culminate with the obtaining in 1994 of the Gold Medal of Architecture, and three years after the Antonio Camuñas Prize. In 2002 he received the National Architecture Award. Since 2006, the College of Architects of Ciudad Real manages the Fisac ​​Foundation that is responsible for cataloging all documentation, as well as promoting and safeguarding the work of the Spanish architect, urban planner and painter.

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Published on: September 15, 2015
Cite: "Hydrographic Studies Center by Miguel Fisac" METALOCUS. Accessed
<http://www.metalocus.es/en/news/hydrographic-studies-center-miguel-fisac> ISSN 1139-6415
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