Henri Cartier-Bresson's excellent photographs can be seen in Madrid until the 7th of September 2014 at Fundación Mapfre exhibition hall. The show covers this great photographer's long and brilliant career.

This is the first major retrospective exhibition to be held in Europe since the artist's death in August 2004 and displays over five hundred photographs in addition to drawings, paintings, films and documents that cover over seventy years of one of the most important figures of modern times.

The exhibition has been organized by the Centre Pompidou de Paris, in collaboration with Fundación Mapfre, with the participation of the Henri Cartier-Bresson Foundation. The works come from over twenty international collections, including the Cartier-Bresson Foundation of Paris, the Musée d'art Moderne de la Ville de Paris, the Cinémathèque Française, The Art Institute of Chicago, The Metropolitan Museum of Art of New York, MOMA of New York and the Philadelphia Museum of Art.

Cartier-Bresson is known as the "eye of the century" for being a key eyewitness of 20th century history. For the first time, the richness of his work and the diversity of his career as a photographer is on display: from surrealist esthetics to photojournalism or his intimate style of later years. In this way, the work on display goes beyond the "decisive moment" concept that made him famous.

The journey, both chronological and thematic, revolves around three central points: the period from 1926 to 1935, which was marked by his relationship with the surrealist movement, his early years as a photographer and his travels throughout the world. The second section is dedicated to the political commitment of Henri Cartier-Bresson from his return from the United States in 1936 until his visit to New York in 1946. The third sequence starts with the creation of the Magnum Photos agency in 1947 and extends to the early 1970s, when the artist stopped working in photojournalism.

Free guided tours take place from Mondays to Thursdays at 4 pm, 4.30 pm, 5 pm and 5.30 pm and are limited to 15 people. Remember to pick up tickets half an hour before at the ticket office.

Dates.- From 28 June through 7 September, 2014.
Venue.- Fundación Mapfre. Paseo de Recoletos, 23. Madrid, Spain.
Curator.- Clément Chéroux.

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Henri Cartier-Bresson (22 August 1908 – 3 August 2004) Born in Chanteloup, Seine-et-Marne, Henri Cartier-Bresson developed a strong fascination with painting, particularly with Surrealism. From 1928 to 1929, Cartier-Bresson studied art, literature, and English at the University of Cambridge.

From 1930-1933 Henri Cartier‑Bresson decided to go travelling around Europe with his friend, the writer André Pieyre de Mandiargues, set off in an old second-hand Buick through Europe. In 1931, Henri Cartier-Bresson armed with the Krauss camera and a wooden glass plate camera, he mostly took rather static shots of flea markets, ghettos and shop fronts. On his return to France, he bought a Leica which never left his side.

In 1933, accompanied by Leonor Fini. This time, the three chose Italy then Spain; a three-month perambulation. The trip to Spain seems to pass in the same spirit but marks a stage in Cartier‑Bresson’s professional career. During this trip, he got his first exhibition at Club Ateneo in Madrid, had his first sales of prints thanks to a solo exhibition at the Julien Levy Gallery (New York) and did his first photographic commission on the Spanish elections for VU magazine; this led to a publication in three episodes.

Taken prisoner of war in 1940, he escaped on his third attempt in 1943 and subsequently joined an underground organization to assist prisoners and escapees. In 1945, he photographed the Liberation of Paris with a group of professional journalists and then filmed the documentary Le Retour (The Return).

Cartier-Bresson was one of the founding members of Magnum Photos in 1947, with Robert Capa, George Rodger, David “Chim” Seymour, and William Vandivert. After three years spent travelling in the East, he returned to Europe in 1952, where he published his first book, Images à la Sauvette (published in English as The Decisive Moment).

He explained his approach to photography in these terms, “for me, the camera is a sketch book, an instrument of intuition and spontaneity, the master of the instant which, in visual terms, questions and decides simultaneously… It is by economy of means that one arrives at simplicity of expression.”

In 1968, he began to curtail his photographic activities, preferring to concentrate on drawing and painting. In 2003, with his wife and daughter, he created the Fondation Henri Cartier-Bresson in Paris for the preservation of his work. Cartier-Bresson received an extraordinary number of prizes, awards, and honorary doctorates. He died at his home in Provence on August 3, 2004, a few weeks short of his 96th birthday.

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Published on: July 17, 2014
Cite: "Henri Cartier-Bresson's Photography" METALOCUS. Accessed
<http://www.metalocus.es/en/news/henri-cartier-bressons-photography> ISSN 1139-6415
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