The exhibition on Harry Seidler and his creative collaborations with 12 world-renowned architects and artists is finally going to be shown in Madrid's COAM later this month.

"As much as the needs of fact, the needs of the spirit and the senses must be satisfied. Architecture is as much a part of the realm of art as it is of technology; the fusion of thinking and feeling."

Harry Seidler

Harry Seidler: Painting Toward Architecture is a traveling exhibition tracing the work of Australia’s most prominent architect of the 20th century, Harry Seidler; it examines his distinctive place and hand within and beyond modernist design methodology. Dozens of featured projects—from single family houses to multi-story residential and office towers to civic, sports, and cultural centers, as well as important government commissions realized in Australia, Austria, France, Israel, Italy, Mexico, and Hong Kong—bring to focus Seidler’s 12 long-lasting creative collaborations with progressive artistic visionaries: architects Walter Gropius, Marcel Breuer, and Oscar Niemeyer; engineer Pier Luigi Nervi; artists Josef Albers, Alexander Calder, Norman Carlberg, Sol LeWitt, Charles Perry, Frank Stella, and Lin Utzon; and photographer Max Dupain. The exhibition was developed by New York-based non-profit Curatorial Project in collaboration with Penelope Seidler and The Seidler Estate in Sydney.

Surprise and Delight—these are the two key feelings that strike anyone who experiences Seidler’s architecture, no matter how familiar one might be with his work.

His forms are never illogical, yet they are always remarkable and beautiful, so much more so as they are achieved through the economy of means. The architect’s houses and towers are thoroughly referential in their sources of inspiration and yet they are unmistakably Seidleresque. Above all, Seidler’s architecture has become an integral part of the Australian identity.

Since October 2012 the exhibition was shown in over a dozen world cities, including Barcelona, Budapest, Moscow, Sofia, Vienna, Buenos Aires, Rio de Janeiro, Sao Paulo, and Sydney

Vladimir Belogolovsky, Curator

Venue.- Calle de Hortaleza, 63, Madrid-28004, Spain.
Dates.- from 21th Jaunary 2016 to 31st Jaunary 2016.

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Harry Seidler (25 June 1923 Vienna - 9 March 2006 Sydney) was the first architect to fully express Bauhaus principles in Australia, exemplified by his first project, which was built in 1950 for his parents—the Rose Seidler House in Wahroonga, north of Sydney. All his life, he was, in his own words, “the torchbearer of modern architecture”—a sincere missionary for the cause of modernism. Seidler left a distinct mark on our world, most noticeably with his Australian Embassy in Paris, Hong Kong Club in Central Hong Kong, Wohnpark Neue Donaularge residential community in Vienna, and, above all, through his many characteristic towers, which essentially define the skyline of contemporary Sydney.

In September 1948, Seidler established a practice in Sydney. The ambitious twenty-five-year-old’s tiny studio/apartment featured a prominently displayed statement: “Australia’s present day building practices are outdated. They cry out for rejuvenation. It is the policy of this office to create new standards which will produce a progressive contemporary architecture.” The architect’s prolific career to follow, spanning almost sixty years, proved him right. Seidler’s late work, however free and sculptural, is never arbitrary. His majestic forms were perpetually defined by rational planning, efficiency of standardized construction, and social and environmental considerations.

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Vladimir Belogolovsky, founder of the New York-based Intercontinental Curatorial Project, organizes, curates, and designs architectural exhibitions worldwide. Trained as an architect at Cooper Union, he is the American correspondent for the Russian architectural journal TATLIN and has authored several books, including Felix Novikov, Green House, and Soviet Modernism: 1955-1985. His exhibitions include: Chess Game at the Russian Pavilion at the 11th Architecture Venice Biennale (2008), a retrospective of architect Ángel Fernández Alba at the Royal Botanical Gardens (Madrid, 2009), Green House (Moscow, 2009), and American Institute of Architects Today (Moscow, 2010). He is currently working on a book, Harry Seidler (Massimo Vignelli and Rizzoli, 2014) with foreword by Kenneth Frampton, introduction by Chris Abel, and tribute by Norman Foster. He is curating a Harry Seidler traveling exhibition to go to Tallinn, Riga, Paris, Houston, North Carolina, Washington DC, and Sydney from 2012 to 2014.
 

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Published on: January 8, 2016
Cite: "Harry Seidler: Painting Toward Architecture " METALOCUS. Accessed
<http://www.metalocus.es/en/news/harry-seidler-painting-toward-architecture> ISSN 1139-6415
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