A new domestic lifestyle is emerging in Australia, which will be the way of life in the future. In The Future of Living by Urtzi Grau & Guillermo Fernández-Abascal as a part of UTS School of Architecture’s investigation for Allianz Australia.

This topic is addressed by linking housing with a new relationship with nature, with renewable energies, with the use of new materials... In addition, it considers housing as a collective rather than private use.

The project opens the debate on the future of housing and therefore of the lives of its users. Being valid both individually and collectively.
In The Future of Living, the architects Urtzi Grau & Guillermo Fernández-Abascal propose a new relationship between users, the environment, and architecture. And it is done through the use of two different typologies, the cabin, and the tower.

The cabin is treated as an exposed structure, with plants, rocks, and furniture. Where the house does not touch the ground being balanced by hot rock. In relation to the tower, it represents the great demand for urban housing in Australia. Each floor is open, the cores are made of concrete and the creeps provide rigidity to the structure.

Respect for nature is also one of the issues to be addressed, welcoming endemic fauna and flora and including elements such as water and wind in the project.
 

Description of project by Urtzi Grau & Guillermo Fernández-Abascal

The Future of Living

A new type of domesticity is emerging in Australia, defined by a shift towards hedonistic collective housing. The Future of Living addresses it bringing together new ways of sharing life, energy management protocols, relationships with nature, new materialities and austerity chic. Appliances, plants, furniture, structure, materials, and objects joined in unfinished assemblages. They are scattered around the house and provide a variety of spatial conditions. They perform climatically, they provide privacy, they include plants and rocks, they allow us to gather. This collection of objects defines an ambiguous living environment. It is neither an interior nor an exterior, but it is certainly a part of the Australian landscape.

The resulting house is a step-by-step devolution of contemporary household property models towards the possibility of commoning. The project sets its future inhabitants as a collective that, together, must become involved in a continuous definition of their domestic environment. It provides them with the ability to define their own comfort — climatic, acoustic, visual, intimate or else — manipulating everyday-life infrastructures such as appliances, curtains, plants and furniture. If climate and mood shape the domestic dreams of future generations, The Future of Living provides the tools to define them.

The implications of this model are deeply rooted in the local culture and climate. The Future of Living invests in care. It barely touches the ground, yet it welcomes the endemic fauna and flora, looks after the local geology and fosters water and wind. The next step for exploring new ways of living requires a great deal of care and maintenance.

The project is an excuse for a theoretical discussion about the immediate future of living as much as it is a prototype ready for mass production. Whether in isolation (The hut in the bush) or as part of a highrise (The tower in the city), The Future of Living proposes a new type of relationship between the user, the environment and the raw architecture for the future.

The hut in the bush

The Future of Living hut has an open plan and no facade, an exposed structure, many curtains and plants, furniture and rocks. A square grid of 16 CLT columns supports a wooden roof. The house barely touches the ground and is balanced by an inhabitable heated rock above — a sauna. The ground floor is connected to the surrounding environment, blurring the boundary between inside and outside. A few fixed elements — a cooking-dining module, curtains around the beds, light enclosures, a bathtub, some fancy chairs and a fireplace suspended above the wooden roof — give us an idea of how to live.  Everyday life becomes a continuous negotiation with the position of the sun, the views, the need for privacy, the pursuit of pleasure and the desire for a life together with the land.

The tower in the city

The Future of Living tower responds to the increasing demand for urban dwellings in Australia. It preserves the qualities of the hut. Each floor is an open plan and lacks a traditional facade; it contains many curtains and plants; it is full of furniture and rocks. Concrete cores and diagonal cross bracing rigidise the exposed CLT structure. Twenty-five square telescopic columns in a square grid, wooden slabs and three concrete elevator shafts repeat on each floor. The diagonal cross-bracing and a tilted fire stair make each level unique and specific. As in the case of the hut, the assemblages populating each floor respond to the needs of everyday life. They also adapt to the conditions of the city. Filtering pollution and sound, blocking winds on the top floors, ensuring comfort in periods of bad weather, their performance is scaled up according to the building size.

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Collaborators
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Graphic Design.- Nicole Ho, Samson Ossedryver.
Consultancy.- Jamie Durie.
Technical support.- BAC Engineering and Consulting Group, Aiguasol.
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Dates
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2020
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Location
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UTS School of Architecture’s investigation for Allianz Australia.
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Charles Choi.
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Urtzi Grau is an architect, Director of the Master of Architectural Research at UTS and co-founder of Fake Industries Architectural Agonism—an architectural office of diffuse boundaries and questionable taste distributed between Sydney, New York and Barcelona that was shortlisted in the MoMA PS1 and Miami Design pavilions in 2014, finalist in Guggenheim Helsinki competition in 2015 and represented Australia in the Chicago Architecture Biennial.

Grau graduated from the School of Architecture of Barcelona in 2000, was awarded Master of Science in Advanced Architectural Design by the Graduate School of Architecture Planning and Preservation, Columbia University (GSAPP) in 2004, and is currently completing his Ph.D. at Princeton University School of Architecture on the 1970's urban renewal of Barcelona. Grau has previously taught Cooper Union, Princeton University, Columbia University, Cornell University and Rice University. His work and writings have been published in various international journals such as AV, Bawelt, Domus, Kerb, Log, Plot, Praxis, Spam, Volume or White Zinfadel and exhibited in the Chicago Architecture Biennial, la Bienal de Buenos Aires, P! Gallery, Shenzhen Biennale, Storefront, the Venice Biennale and 0047.
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Guillermo Fernández-Abascal is an architect, academic, and director of GFA2. He studied at the ETS of Architecture in Madrid, Tongji University and he is currently a MoRE candidate exploring driverless implementation in urban environments at UTS under La Caixa fellowship. In 2010 he joined FOA, where he worked in Birmingham New Street station.

Following FOA’s demerger, GFA became a member of AZPML, leading the London office in various projects and several winning entries in international competitions (Antonino and Cinia Foundation, Montreal Biodome, Austro Control Zentrale Wien, Kirchberg Housing Complex and Bellinzona Bridge). Since 2016, as director of GFA2 has lead various projects highlighting the shortlisted entry for a school in Madrid, a mixed-used development in Sydney, the 2016 Global Architecture Political Compass, co-authored with Zaera-Polo and the Story of the Pool (2017). Guillermo has taught at UTS and RICE University. His work and writings have been widely published in media sources such as El Croquis, ArchDaily, Afasia and exhibited in Reina Sofia Museum.
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Published on: March 13, 2022
Cite: "The Future of Living by Urtzi Grau & Guillermo Fernández-Abascal" METALOCUS. Accessed
<http://www.metalocus.es/en/news/future-living-urtzi-grau-guillermo-fernandez-abascal> ISSN 1139-6415
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