A Foster + Partners and Buro Happold consortium has won the competition to design the new Centralny Port Komunikacyjny airport (CPK) on a 3,000-ha site, between Warsaw and Łódź cities. Described as "a pivotal project", it will act as a symbolic gateway to Poland, a 21st-century transport interchange which brings together air, rail and road.

Foster + Partners proposal was been choose in an international contest with teams such as Zaha Hadid Architects, Perkins & Will, Weston Williamson + Partners, gmp International and KPF.
The consortium will begin work to complete the proposal in mid-2023, whose main feature is its woven ceiling, a solid wood design that creates an intricate pattern while providing a play of light and shadow in the interior. The project aims to be completed in 2028, by which time CPK will become the main airport in the Polish capital, replacing Warsaw Chopin Airport.

Drawing on over 40 years of experience in infrastructure and transportation projects, including Hong Kong and Beijing airports, and Stockholm Central Station, the new CPK airport proposal finds a balance between operational efficiency, responsibility environmental and symbolic expression.
 
“We are proud and excited to be chosen by CPK as the designers of this project. In collaboration, we will work together to create a model for the future of totally integrated transportation design. We believe that this project will completely revolutionise travel across the country and beyond. The vision of woven architectural form is deliberately and strongly expressed. It could shape the building and guide the passengers through its spaces, while also serving as a powerful symbolic reference to Poland’s rich cultural heritage and the united strength of its people.”
Grant Brooker, Head of Studio, Foster + Partners.

The vision for CPK airport includes a landside interchange plaza that is animated by lush greenery and flooded with natural light. People would congregate in this vibrant space before travelling or welcoming visitors. The plaza brings together three main modes of transport: air, rail and road. It acts as the focal point of the scheme and could support the shift towards more efficient and sustainable means of travel. The plaza would also be able to accommodate future emerging technologies. The design ideas include a simple, continuous vaulted roof which intuitively directs passengers from the plaza towards the aircraft.

The vision optimises the passenger experience, making it accessible and inclusive. The functional and flexible layout, with minimal level changes, would allow for efficient and seamless passenger flows and optimised transfers. Visual connections to the surrounding landscape would anchor the transport hub within its geographic context and help to establish a strong sense of place.

The design ideas will need to respond to the challenges of time, cost and quality. Opportunities for modularisation and prefabrication are to be maximised, allowing the transport hub to adapt to ever-evolving operational needs. This creates a resilient and future-proof scheme that stands the test of time.

The CPK airport will initially serve up to 40 million passengers and then expand seamlessly to meet the 65 million passenger target in 2060.

More information

Norman Foster is considered by many to be the most prominent architect in Britain. He won the 1999 Pritzker Architecture Prize and the 2009 Príncipe de Asturias de las Artes Prize.

Lord Foster rebuilt the Reichstag as a new German Parliament in Berlin and designed a contemporary Great Court for the British Museum. He linked St. Paul's Cathedral to the Tate Modern with the Millennium Bridge, a steel footbridge across the Thames. He designed the Hearst Corporation Building in Manhattan, at 57th Street and Eighth Avenue.

He was born in Manchester, England, in 1935. Among his firm’s many other projects are London’s City Hall, the Bilbao Metro in Spain, the Canary Wharf Underground Station in London and the renovated courtyard of the Smithsonian American Art Museum and National Portrait Gallery in Washington.

In the 1970s, Lord Foster was one of the most visible practitioners of high-tech architecture that fetishized machine culture. His triumphant 1986 Hong Kong and Shanghai bank building, conceived as a kit-of-parts plugged into a towering steel frame, was capitalism's answer to the populist Pompidou Center in Paris.

Nicolai Ouroussoff, The Times’s architecture critic, has written that although Lord Foster’s work has become sleeker and more predictable in recent years, his forms are always driven by an internal structural logic, and they treat their surroundings with a refreshing bluntness.

Awarded the Prince of Asturias of the Arts 2009.

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Published on: November 21, 2022
Cite: "Foster + Partners wins competition to design new CPK airport" METALOCUS. Accessed
<http://www.metalocus.es/en/news/foster-partners-wins-competition-design-new-cpk-airport> ISSN 1139-6415
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