Foster + Partners have inaugurated the new tower at 425 Park Avenue that the firm has completed in Manhattan.

The 274-meter-high tower grows from its base with a 14-meter hall in the first of the three volumes in which the skyscraper is made up, which gradually recedes as it rises until it is finished off with a 12-meter-high penthouse , accompanied by three illuminated aluminum ornamental fins.

Each section is divided by two triple-height floors (in a diagrid or grid of beams that intersect diagonally, to improve the work of the structure) and the highest where The Diagrid Club restaurant and lounge is home to the prominent Alsatian chef Jean-Georges Vongerichten.

425 Park Avenue designed by Foster + Partners, is the first full-block office building on New York's Park Avenue in over 50 years. The new building is located alongside Modernist icons such as the Seagram Building, Lever House and the CBS Building, on the world's grand boulevard of commerce. 

The 47-story tower was designed in close collaboration with L&L Holding's project team. It includes a triple-height lobby, world-class office accommodation, external green spaces, an expansive social amenity level and a 38-foot-tall penthouse floor. Built to LEED Gold standard, the building recently earned Well Core certification at Gold level, in recognition of its features which enhance the health and wellbeing of occupants. 
 
"425 Park Avenue celebrates its historic context and the restrained elegance of its landmark neighbours, while simultaneously pushing the boundaries of workplace design and reflecting the contemporary spirit of the city. The building's architectural form and structural expression are inextricably linked, providing it with a distinctive identity. The floors with external terraces are the first of their kind on Park Avenue, creating a permeable and healthy working environment." 
Norman Foster, Founder and Executive Chairman, Foster + Partners.
 
"It has been a great privilege to design a new building that stands alongside some of the city's most remarkable landmarks. The tower makes a major contribution to the public realm at ground level, with its lobby, world-class restaurant and showroom space. By offsetting the core and bracing the structure, the tower also offers flexible, open floorplates on the upper levels, which anticipate the changing requirements of contemporary workspaces to futureproof the building."
Nigel Dancey, Head of Studio, Foster + Partners.


425 Park Avenue Skyscraper by Foster + Partners. Photograph by Nigel Young / Foster + Partners.

The tower is divided vertically into three distinct volumes: a seven-storey base, knitted into the urban grain at street level; a recessed central section; and a slender formation of premium floors at the top. The design was established through a process of detailed analysis, involving modelling views of Central Park from the site and finding the ideal distribution of areas to achieve a balanced composition. 

The first set back – a characteristic feature of high-rise design in New York – corresponds with the datum of the street. The second set back develops this theme, physically and symbolically setting the upper levels apart from the rest of the city's office towers. To maximise the Park Avenue frontage, the core is placed to the rear, where glazed elevator lobbies bring life to the eastern elevation and reveal long views towards the East River. 

Clearly expressing the structure, the tapered steel and concrete framed tower rises to meet three shear walls – extending from the top of the tower, these three blades will provide a marker on the skyline. The structural expression of the building allows for truly flexible, column-free floorplates on the upper levels which can accommodate a wide range of tenants.

425 Park Avenue Skyscraper by Foster + Partners. Photograph by Nigel Young / Foster + Partners.

Between each of the three volumes, the office floors are intersected by double-height spaces that create the prized amenity of open space in the heart of Manhattan. The second setback features The Diagrid Club, which is open to all of the tower's tenants. This club offers remarkable views, outdoor areas, an art installation by the Japanese contemporary artist Yayoi Kusama, private rooms for transcendental meditation by the David Lynch Foundation, and number of curated amenities designed to connect the mind and body. The café and dining spaces on this level are operated by the award-winning chef, Jean-Georges Vongerichten. 

The social focus of the tower continues at street level, where the building entrance is highlighted by a triple-height lobby flanked by Jean-Georges Vongerichten's new restaurant. The 14,000-square-foot restaurant includes a main mezzanine dining level and a cocktail lounge, with a 45-foot-high ceiling and a 24-foot painting by the celebrated artist Larry Poons.
 
"We are delighted to see 425 Park Avenue open in New York. Working closely with L&L, we have created a landmark building which gives priority to comfort, natural light and fresh air - in a particularly dense urban environment. The tower's occupants have direct access to some of the city's best new amenities and external terraces, with great views of the park and midtown Manhattan." 
James Barnes, Senior Partner, Foster + Partners

More information

Norman Foster is considered by many to be the most prominent architect in Britain. He won the 1999 Pritzker Architecture Prize and the 2009 Príncipe de Asturias de las Artes Prize.

Lord Foster rebuilt the Reichstag as a new German Parliament in Berlin and designed a contemporary Great Court for the British Museum. He linked St. Paul's Cathedral to the Tate Modern with the Millennium Bridge, a steel footbridge across the Thames. He designed the Hearst Corporation Building in Manhattan, at 57th Street and Eighth Avenue.

He was born in Manchester, England, in 1935. Among his firm’s many other projects are London’s City Hall, the Bilbao Metro in Spain, the Canary Wharf Underground Station in London and the renovated courtyard of the Smithsonian American Art Museum and National Portrait Gallery in Washington.

In the 1970s, Lord Foster was one of the most visible practitioners of high-tech architecture that fetishized machine culture. His triumphant 1986 Hong Kong and Shanghai bank building, conceived as a kit-of-parts plugged into a towering steel frame, was capitalism's answer to the populist Pompidou Center in Paris.

Nicolai Ouroussoff, The Times’s architecture critic, has written that although Lord Foster’s work has become sleeker and more predictable in recent years, his forms are always driven by an internal structural logic, and they treat their surroundings with a refreshing bluntness.

Awarded the Prince of Asturias of the Arts 2009.

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Published on: October 28, 2022
Cite: "Foster + Partners completes Park Avenue's first full-block building in over 50 years " METALOCUS. Accessed
<http://www.metalocus.es/en/news/foster-partners-completes-park-avenues-first-full-block-building-over-50-years> ISSN 1139-6415
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