Swiss architect Peter Zumthor presented the project for the extension to the Fondation Beyeler in Riehen, Basel. The extension will be constructed on the previously private land of the Iselin-Weber Park, which adjoins the Fondation Beyeler. A new public park will thus be created in the heart of Riehen. The Fondation Beyeler will thereby create a group of museum buildings that satisfies the needs of a visitor-friendly museum. The size of the parks will be doubled.


The Fondation has revealed designs by architect Peter Zumthor for a trio of new buildings at the previously Renzo Piano-designed Fondation Beyeler art gallery.

At the end of a design study involving eleven renowned architectural firms from all over the world, a body of international experts unanimously selected the Atelier Peter Zumthor to realize the extension project for the Fondation Beyeler.

A unique opportunity for extension has now arisen with the acquisition of the neighboring Iselin-Weber Park. That park adjoins the Fondation Beyeler’s park to the south, beside the museum restaurant, being separated only by the Bachtelenweg. The extension will be constructed along the Bachtelenweg, thereby permitting the connection of the two parks. The previously private Iselin-Weber Park with its mature trees and a water lily pond will thus be made accessible to the public. Through the extension, a new recreational area will be created for the general public in the heart of Riehen. The link between the Fondation Beyeler and the centre of the village will be strengthened. As in the past, the Bachtelenweg will remain accessible for neighboring residents, farmers, bikers and walkers going to the Langen Erlen.

The two reasons put forward by the Beyeler Foundation to carry out the expansion of its facilities are:

- In the 21st century, a museum is a place for human beings and no longer just for objects. It is a social space in which visitors can have experiences on their own or together with others. People come to a museum for education, entertainment, recreation, encounters and interaction. Together with general exhibition activities, the organization of cultural events and art education are some of the core functions of a visitor-friendly museum today. Renzo Piano’s museum building does not, however, contain any suitable rooms for such events, so they have had to be held in the museum’s galleries. That has involved a considerable organizational and technical effort, as well as considerable restrictions and extra costs. This is a key reason for the planned extension.

- A second reason is the lack of galleries where, in addition to the active exhibition program, the constantly growing collection of modern and contemporary art can be permanently presented. There is insufficient space to exhibit donations and works permanently loaned by artists, from artists’ estates and from private collections. The planned extension is therefore essential for the Fondation Beyeler’s successful development.

Peter Zumthor’s design distributes the various functions between three relatively small buildings and is consequently a project that is adapted to Riehen’s village-like character and that blends harmoniously into the natural environment. Zumthor plans a simple service building for administration and deliveries, a transparent pavilion for events and a House for Art. Together, they create a subtle link between the two parks, which were designed by the same landscape architect, Jean-François Caillat, in the early 19th century.

“I want to create buildings that are loved” says Peter Zumthor, adding “Having the chance to do so in Basel, the city of my youth, is a particular honor for me.”

With the extension project of the Atelier Peter Zumthor, Renzo Piano’s existing modern museum building and the historic buildings from the 18th century, the Fondation Beyeler is creating a unique architectural ensemble. The size of the park, which is already greatly appreciated by visitors, will be doubled. The unique experience of art, architecture and nature, a distinguishing characteristic of the Fondation Beyeler, will be further reinforced.

The extension project (acquisition of the land and existing buildings, funding of the new building, and operating and maintenance costs for the first ten years) is being privately financed. An amount of CHF 50 million has already been firmly committed. Generous donations from the Wyss Foundation and the Daros Collection of the Stephan Schmidheiny family provide the cornerstone for the project’s realization. Overall, the extension building and its launch are expected to cost CHF 100 million.

“Peter Zumthor’s project was unanimously selected by the Assessment Board because it is the ideal solution for the Fondation Beyeler’s extension”, notes Roger Diener, architect and member of the Assessment Board.

From Wednesday, May 10 to Tuesday, May 23, the plans and models will be exhibited for two weeks in the Town Hall of Riehen, Wettsteinstrasse 1, 4125 Riehen. The opening hours are as follows: Monday to Friday from 8-12 am and 2 to 4.30 pm

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Peter Zumthor was born on April 26, 1943, the son of a cabinet maker, Oscar Zumthor, in Basel, Switzerland. He trained as a cabinet maker from 1958 to 1962. From 1963-67, he studied at the Kunstgewerbeschule, Vorkurs and Fachklasse with further studies in design at Pratt Institute in New York.

In 1967, he was employed by the Canton of Graubünden (Switzerland) in the Department for the Preservation of Monuments working as a building and planning consultant and architectural analyst of historical villages, in addition to realizing some restorations. He established his own practice in 1979 in Haldenstein, Switzerland where he still works with a small staff of fifteen. Zumthor is married to Annalisa Zumthor-Cuorad. They have three children, all adults, Anna Katharina, Peter Conradin, and Jon Paulin, and two grandchildren.

Since 1996, he has been a professor at the Academy of Architecture, Universitá della Svizzera Italiana, Mendrisio. He has also been a visiting professor at the University of Southern California Institute of Architecture and SCI-ARC in Los Angeles in 1988; at the Technische Universität, Munich in 1989; and at the Graduate School of Design, Harvard University in 1999.

His many awards include the Praemium Imperiale from the Japan Art Association in 2008 as well as the Carlsberg Architecture Prize in Denmark in 1998, and the Mies van der Rohe Award for European Architecture in 1999. In 2006, he received the Thomas Jefferson Foundation Medal in Architecture from the University of Virginia. The American Academy of Arts and Letters bestowed the Arnold W. Brunner Memorial Prize in Architecture in 2008.

In the recent book published by Barrons Educational Series, Inc. titled, Architectura, Elements of Architectural Style, with the distinguished architectural historian from Australia, Professor Miles Lewis, as general editor, the Zumthor’s Thermal Bath building at Vals is described as “a superb example of simple detailing that is used to create highly atmospheric spaces. The design contrasts cool, gray stone walls with the warmth of bronze railings, and light and water are employed to sculpt the spaces. The horizontal joints of the stonework mimic the horizontal lines of the water, and there is a subtle change in the texture of the stone at the waterline. Skylights inserted into narrow slots in the ceiling create a dramatic line of light that accentuates the fluidity of the water. Every detail of the building thus reinforces the importance of the bath on a variety of levels.”

In the book titled Thinking Architecture, first published by Birkhauser in 1998, Zumthor set down in his own words a philosophy of architecture. One sample of his thoughts is as follows: “I believe that architecture today needs to reflect on the tasks and possibilities which are inherently its own. Architecture is not a vehicle or a symbol for things that do not belong to its essence. In a society that celebrates the inessential, architecture can put up a resistance, counteract the waste of forms and meanings, and speak its own language. I believe that the language of architecture is not a question of a specific style. Every building is built for a specific use in a specific place and for a specific society. My buildings try to answer the questions that emerge from these simple facts as precisely and critically as they can.”

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Published on: May 8, 2017
Cite: "Fondation Beyeler unveils its extension plans by Peter Zumthor " METALOCUS. Accessed
<http://www.metalocus.es/en/news/fondation-beyeler-unveils-its-extension-plans-peter-zumthor> ISSN 1139-6415
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