In the Intermediae exhibition space, the Matadero Madrid presents La Pista de Baile, the new space by international artist Guillermo Santomá that will be available from the beginning of November of this year until the end of June 2021.

The systematic transformation of forms, supported by SIMON analyzes and transmits mechanisms that transmit sensations in the users who travel that space. It is located in the Arganzuela district, in Madrid, Spain.

Responding to the paradoxical idea of "Dancing City, Exaggerate", the conventional space of the warehouse is transformed, an abstract industrial cave is generated, and the user's vision is broken when he enters the warehouse, where he can observe a dark and gloomy space. However, by altering these sensations, it invites the user to seek, to seek the sun that is under that cave.
Guillermo Santomá in La Pista de Baile seeks to offer a place where you can stay, enjoy music and the illuminated space itself, where colors change, where it is allowed to seek refuge in an altered space, a space far from the conventional that could cause in the user sensations different and rejection, however, the opposite occurs, the great sun, a great luminous object that serves as a reference for man allows to transform that idea.

The intervention in the space generates in the person who runs through it two sensations, that of the search for light and that of shelter and refuge. The "non-architecture" space can be understood as a landscape or as a sculptural piece, the self-supporting sand cover together with the luminous object, a large sphere, a large sun, added to the users themselves, fundamental pieces in the work gives the project life, movement.
 

Project description by Guillermo Santomá

Matadero Madrid contemporary creation center has presented at Intermediae, a space dedicated to socially committed artistic practices, based on research and cultural innovation, the installation "Dance floor". The intervention is part of "Ciudad Bailar Exaggerar", a program dedicated to the idea of ​​solidarity, community, and collaboration through dance with laboratories, performances, and radio meetings that opened on November 6 and 7, and will culminate in July 2021.
 
Santomá has transformed the Intermediae warehouse by proposing a totally different space. The result is a self-supporting structure that simulates a large sand cover as if it were negative of the original architecture in which it is integrated. The object-place, conceived by the international artist, will acquire movement, life, or even its own consciousness as it is inhabited.
 
The project is based on the idea that there is no quick distinction between the spiritual and physical world, and that this soul, spirit, or sensitivity also exists in other animals, plants, stones, mountains or rivers, as well as in this human landscape. In this way, this piece of 'non-architecture' can also be defined as a landscape or as a sculpture; a joint investigation by Guillermo Santomà with Simon on the possibilities of continuous transformation of spaces through light.
 

"The fact of having Simon as a co-creation partner makes it possible to access a technology and an experience that you normally do not have within reach to create with it"

Guillermo Santomá.

 
On this occasion, Simon has chosen ProtoPixel as a digital light technology partner, which has provided the lighting control, and the technical advice necessary for the development of the creative possibilities of the installation at a lighting, interactive and experiential level. In this way, the piece becomes a platform in constant change and adaptation to the different contents of the program.

On November 6, at the inauguration of "City, Dance, Exaggerate" the dance piece "Anywhere, anywhere, we keep dancing", by the architect and scenic creator Nacho de Antonio, premiered in the space designed by Santomà. It was the first of the many proposals to be held in the installation "Dance Floor" and which can be consulted here.

Guillermo Santomá works in design, architecture, sculpture, and performance. Throughout his career, he has exhibited his works in Paris, New York, Copenhagen and Barcelona.

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Co-creation partner.- Simon. Digital light technical collaborator.- Protopixel.
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November 8, 2020 - June 30, 2021.
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Exhibition space Intermediae, Matadero of Madrid, Legazpi Square 8, Arganzuela, Madrid, Spain.
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Guillermo Santomá is an architect/designer living and working in Barcelona. Born in 1984, after get a MA in design from Elisava Barcelona, Santomà attracted attention to his work after his total transformation of Casa Horta – an architectonic, artistic intervention in a traditional horta-house from the beginning of the 20th century. Santomà places himself somewhere in-between architecture and design and creates complete environments for his work to act in.

Since construction, Santomà works in different formats that move between design, architecture, sculpture and scenography. It uses simple mechanisms to alter familiar objects in a constant process of deformation creating complete environments. His work denotes an interest in the systematic transformation of the ways of objectifying, organizing, analyzing and, therefore, of transmitting. He could be described as being interested in how a space is affected by the production of elements vaguely similar to furniture as well as by chromatic interventions.

It seems that the force that motivates his interest in the architecture is driven by the question: how does the social space of a reactionary mind look? The question is a sensitive one because we tend to ascribe the practice of art to liberal values, even though there are plenty of historical examples of artists who by no means share such principles. Yet Santomà adds another twist: the artist is not only interested in how politics shapes character and how character shapes taste, but also how, then, taste shapes the body. Do ultra-conservatives sit in chairs similar to the liberals?
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