The Royal Institute of British Architects (RIBA) has announced a major retrospective of the work of celebrated Scottish architect Charles Rennie Mackintosh, with an exhibition to be held at the RIBA’s Headquarters in London from February to May 2015.

The Scottish architect, artist and designer, Charles Rennie Mackintosh (1868 – 1928) is celebrated worldwide. Yet during his lifetime his career was marked as much by its difficulties as by its successes, with many of his designs unrealised. Mackintosh Architecture is the first exhibition to be devoted to his architecture and offers the opportunity to view over 60 original drawings, watercolours and perspectives spanning the whole of his career. Seen together they reveal the evolution of his style from his early apprenticeship to his later projects as an individual architect and designer.

From an early age, Mackintosh was an exceptional draughtsman. He became an architectural apprentice aged 16 and one year later embarked on a decade of evening classes in art and design at the Glasgow School of Art. On display will be a number of his exquisitely detailed, and highly characteristic, ink drawings for projects including the Glasgow Herald Building, Scotland Street School, The Hill House, Queen’s Cross Church and Windyhill.

The exhibition features Mackintosh’s original designs for the Glasgow School of Art, which he prepared at the early age of twenty nine. A model showing a cross-section of the school and photographs of the external and internal details illustrate his early focus on designing every aspect of a building: the exterior, interior, furniture and lighting. Visitors can also watch film footage of the school.

Mackintosh Architecture is the result of a four-year research project led by Professor Pamela Robertson, The Hunterian, University of Glasgow.  This has delivered the first authoritative catalogue and analysis of Mackintosh’s architecture.

The exhibition puts in context the environment in which he was designing these projects: the city of Glasgow and the opportunities and clients he found there; his apprenticeship and early collaborative work as part of an architectural practice, to his work an independent architect and designer; the inspiration he drew from traditional Scottish baronial architecture, and his collaboration with his wife, the accomplished artist and designer Margaret Macdonald. An example of their collaborative work can be seen in the 1901 ‘House for an Art Lover’ designs.

Highlights of the exhibition include Mackintosh’s stunning watercolours of the Daily Record Building and Glasgow Cathedral; a selection of models of built and unbuilt projects; a large oil portrait of Mackintosh, by the headmaster at the Glasgow School of Art, Francis Newbery and other photographic portraits.

Although internationally celebrated today, Mackintosh achieved little popular success during his lifetime. The majority of his projects were realised between 1896 and 1909, after which he was frustrated by the lack of commissions and patrons, leaving many of his designs unrealised. The exhibition will display a number of his unbuilt designs including artists’ studios in Chelsea, country lodges, the House for an Art Lover (subsequently built in Glasgow the 1990s) alongside specially commissioned models.

Mackintosh Architecture has been developed in association with The Hunterian, University of Glasgow. It marks the completion of a four-year AHRC-funded research project led by The Hunterian into Mackintosh’s architecture.

Mackintosh Architecture was curated by Pamela Robertson, Senior Curator and Professor of Mackintosh Studies at The Hunterian for the Glasgow exhibition and by Susan Pugh, Curator, RIBA Drawings and Archives for the RIBA exhibition in London.

When.-18 February – 23 May 2015
Where.- Architecture Gallery, RIBA, 66 Portland Place, London, W1B 1AD. UK

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Charles Rennie Mackintosh was an architect, designer and Scottish watercolorist, which had fundamental importance in the Arts and Crafts movement and was also the leading exponent of Art Nouveau in Scotland. He was the father of Elizabeth Nicol Rennie also followed in his footsteps.

Protomodernist (forerunner of modernism). Tries to reform breaking with the above. He rose to fame after exposing your furniture in the Secession in Vienna in 1900 and was part of the group "The Four" of Glasgow, created in 1897, its main figure.

He took elements of Arts and Crafts, and was very well accepted by the Belgian Art Nouveau opposition (he was a hero to the Secession).

It was one of the most prominent architects of characters linked to Art Nouveau (including Victor Horta), but after 1913 did not receive more orders.

In 1884 he was apprenticed in the studio of architect John Hutchinson, where you would be forming for five years. At the same time, he attended night classes in drawing and painting at the Glasgow School of Art, acquiring great skill in drawing and design as well as a watercolorist. This was a period of hard work but at the same time, rewarded with several awards. It would be in the evening classes where he met the people who later formed The Four group (Four), the sisters Frances Macdonald and Margaret Macdonald, who would later marry, and Herbert MacNair, colleague working at studio Honeyman & Keppie, where come to work in 1889 and remained until 1913. in 1890, the granting of travel grant Alexander-Thomson, which won the design of a public building of classic Greek style allowed him to go in 1891 France, Italy and Belgium for three months. In 1896, his project won the competition for the Glasgow School of Art (1896-1909), his masterpiece.

In collaboration with his wife, he furnished from 1896 several tearooms in Glasgow; also he received orders from England and abroad for villas and homes; including one for a music room for Fritz Waerndorfer.

The Four group also participated in the VIII exhibition of the Viennese Secession 1900.

In 1915 the marriage Mackintosh moved to London, where he remained until the end of his life, except for the years 1923 to 1927, during which he lived in Port-Vendres (France), where he devoted himself to painting (watercolors).

Mackintosh in London devoted to graphic works and book arts.
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Published on: December 2, 2014
Cite: "Charles Rennie Mackintosh Retrospective at RIBA, from Februay" METALOCUS. Accessed
<http://www.metalocus.es/en/news/charles-rennie-mackintosh-retrospective-riba-februay> ISSN 1139-6415
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