The exhibition "Calder and Abstraction: From Avant-Garde to Iconic" was organized by the Los Angeles County Museum of Art, in cooperation with the Calder Foundation, New York.

Alexander Calder's work is always a good reference, by the way, the city of Grenoble has excellent examples of this sculptor throughout the city, at the exit of the train station there is spectacular one, 6 or 7 m high. Elsewhere in the city there are many more by other sculptors. For those unable to cross the pond a good exhibition is being held in Los Angeles.

One of the most important artists of the twentieth century, Alexander Calder revolutionized modern sculpture. Calder and Abstraction: From Avant-Garde to Iconic, with significant cooperation from the Calder Foundation, explores the artist’s radical translation of French Surrealist vocabulary into American vernacular.

His most iconic works, coined mobiles by Marcel Duchamp, are kinetic sculptures in which flat pieces of painted metal connected by wire move delicately in the air, propelled by motors or air currents. His later stabiles are monumental structures, whose arching forms and massive steel planes continue his engagement with dynamism and daring innovation. Although this will be his first museum exhibition in Los Angeles, Calder holds a significant place in LACMA’s history: the museum commissioned Three Quintains (Hello Girls) for its opening in 1965. The installation was designed by architect Frank O. Gehry.

Venue.-  LACMA Resnick Pavilion. Los Angeles, CA. US (map here).
Dates.-   Sunday, November 24, 2013 - Sunday, July 27, 2014.

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Alexander Calder  (Lawnton, PA, 1898 – New York, NY, 1976) utilized his innovative genius to profoundly change the course of modern art. Born into a family of celebrated, though more classically trained artists, Calder developed a new method of sculpting: by bending and twisting wire, he essentially "drew" three-dimensional figures in space. He is renowned for the invention of the mobile, whose suspended, abstract elements move and balance in changing harmony. Coined by Marcel Duchamp in 1931, the word mobile refers to both “motion” and “motive” in French. Some of the earliest mobiles moved by a system of motors, although these mechanics were virtually abandoned as Calder developed mobiles that responded to air currents, light, humidity, and human interaction. He also created stationary abstract works that Jean Arp dubbed stabiles.

From the 1950s onward, Calder turned his attention to international commissions and increasingly devoted himself to making outdoor sculpture on a grand scale from bolted steel plate. Some of these major commissions include: .125, for the New York Port Authority in John F. Kennedy Airport (1957); Spirale, for UNESCO in Paris (1958); Teodelapio, for the city of Spoleto, Italy (1962); Trois disques, for the Expo in Montreal (1967); El Sol Rojo, for the Olympic Games in Mexico City (1968); La Grande vitesse, which was the first public art work to be funded by the National Endowment for the Arts (NEA), for the city of Grand Rapids, Michigan (1969); and Flamingo, for the General Services Administration in Chicago (1973).

Major retrospectives of Calder's work during his lifetime were held at the George Walter Vincent Smith Gallery, Springfield, Massachusetts (1938); The Museum of Modern Art, New York (1943–44); Solomon R. Guggenheim Museum, New York (1964–65); The Museum of Fine Arts, Houston (1964); Musée National d'Art Moderne, Paris (1965); Fondation Maeght, Saint-Paul-de-Vence, France (1969); and the Whitney Museum of American Art, New York (1976–77). Calder died in New York in 1976 at the age of seventy-eight.

 
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Published on: April 3, 2014
Cite: "Calder and Abstraction: From Avant-Garde to Iconic" METALOCUS. Accessed
<http://www.metalocus.es/en/news/calder-and-abstraction-avant-garde-iconic> ISSN 1139-6415
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