Directors Dan Kwan and Daniel Scheinert have sought to create universes that have a universal cinematic language for the audience. To achieve this familiarity, the production creates sets that reference the films of our collective memory such as The Matrix, Die Hard and Kill Bill.
"Everything Everywhere All at Once" has also been inspired by the aesthetic of Wong Kar-Wai's brilliant film In The Mood For Love. In one of the parallel universes where the protagonist finds himself, the scenes adopt a dark and mysterious cinematographic language and are stylized with the same romantic energy as the iconic corridor scene.
With beautiful and chaotic photography, the film has taken on Western influences, but has also preserved and reinterpreted traditional Eastern conceptions. The directors pay homage to the long history of Asians in the United States through a unique and unrepeatable story.
Everything Everywhere All at Once asks us to find beauty in our small and complex lives. In every universe there is always something to love. No matter how insignificant, everything matters.
"Everything Everywhere All at Once" has also been inspired by the aesthetic of Wong Kar-Wai's brilliant film In The Mood For Love. In one of the parallel universes where the protagonist finds himself, the scenes adopt a dark and mysterious cinematographic language and are stylized with the same romantic energy as the iconic corridor scene.
With beautiful and chaotic photography, the film has taken on Western influences, but has also preserved and reinterpreted traditional Eastern conceptions. The directors pay homage to the long history of Asians in the United States through a unique and unrepeatable story.
Everything Everywhere All at Once asks us to find beauty in our small and complex lives. In every universe there is always something to love. No matter how insignificant, everything matters.
