Siza’s use of light and white concrete provide a unique ceremonial space that gently folds into the neighborhood south of Rennes. The main concern of Siza when designing the project was being able to integrate the church into the urban fabric.

This church designed by Álvaro Siza is thus lit from above and indirectly, reflecting off the ceiling and the cylindrical walls. Another two small clerestories are set above the image of the Virgin and the baptismal font. A building especially expected and masterfully photographed by Joao Morgado.

Description of project by Álvaro Siza

The church of Saint-Jacques-de-la-Lande will be the first church built in France’s Brittany region in the 21st-century. The project has been contracted to the Portuguese architect Álvaro Siza Vieira. Siza’s use of light and white concrete provide a unique ceremonial space that gently folds into the neighborhood south of Rennes, a residential area with five-story housing blocks. Siza's main concern when designing the project was being able to integrate the church into the urban fabric. One of the hallmarks of the building is the circular shape on the second floor, which will hold up to 120 people - freeing up the first floor for social and administrative areas.

This church will be inserted as a free-standing volume that adapts to the existing plan and the dimensions of the nearby buildings and spaces, extant or planned, in particular the size of the apartment block to the north. The programme is distributed across two levels by superimposing a cylinder with a 14.75 m outer diameter on a 16xi6 m square plan with a total height of 12 m. The Parish Centre and the church are on the first and second floors respectively, with a smaller 97.2 m2 basement for the technical and storage areas.

Two rectangular volumes break off to the west of this core, framing the entrance atrium and spanning the full height of the building. Another two identical quadrangular volumes lie to the east, along with a cantilevered half cylinder that emerges from the top floor. Circulation between the two floors is via a lift and two stairways —one of them enclosed— with two flights.

The central part of the church has seating for 126, with access tor the disabled. A side chapel to the south contains the baptismal font, a semicircular apse (Chapel A) contains the image of the Virgin and the tabernacle, and a lateral chapel on the north side (Chapel B) contains the crucifix. A raised platform extends above chapels A and B, the base of the altar and the pulpit. The diagonal axis of the congregation area, which runs from the mam stairs towards the crucifix, defines the position of the attar. The restricted access sacristy is on the upper floor of the volume containing the lift and the enclosed staircase. A square platform is suspended above the cylindrical space of the church to control the light entering through the clerestory and hold the lighting and ventilation equipment. The sides of this square panel are parallel to the axis of the congregation zone.

This church is thus lit from above and indirectly, reflecting off the ceiling and the cylindrical walls. Another two small clerestories are set above the image of the Virgin and the baptismal font. Light enters Chapel B through a glazed west-facing shaft. The church will be built using white reintorced concrete bearer walls with internal thermal insulation. The marks of the formwork used in its construction will be visible on the facades. The interior of the church and the Parish Centre will be paved with marble. The walls will be painted after instaling a 110cm high marble panel, except for the kitchen and bathrooms, where it will rise to 220cm. The pavements in the basement will have an epoxy finish and 220cm high epoxy wall protection. The exterior frames will be in wood with an aluminium finish on the outer face.

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Architect
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Álvaro Siza
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Venue
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Rue du Haut Bois, Rennes, France
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Álvaro Joaquim Melo Siza Vieira was born in Matosinhos (near Porto), in 1933. From 1949-55 he studied at the School of Architecture, University of Porto. His first built project was finished in 1954. From 1955-58 he was collaborator of Arch. Fernando Távora. He taught at the School of Architecture (ESBAP) from 1966-69 and was appointed Professor of "Construction" in 1976. He was a Visiting Professor at the Ècole Polythéchnique of Lausanne, the University of Pennsylvania, Los Andes University of Bogotá and the Graduate School of Design of Harvard University; he taught at the School of Architecture of Porto (jubilate in 2003).

He is the author of many projects such as: the Boa Nova Tea House and Restaurant; 1200 dwellings built in Malagueira, Évora; the Superior School of Education in Setúbal, the new School of Architecture in Porto; the Library of Aveiro University; the Museum of Modern Art in Porto; the Church and Parochial Centre in Marco de Canavezes; the Pavilion of Portugal for EXPO '98 and the Pavilion of Portugal in Hannover 2000 (with Souto de Moura); the dwelling and offices complex of “Terraços de Bragança” in Lisbon; and he has rebuilt the burnt area of Chiado in Lisbon since 1988, including the projects for some buildings like Castro e Melo, Grandella, Chiado Stores, and others.

He has been coordinated the plan of Schilderswijk's recuperation in The Hague, Holland, since 1985, which finished in 89; in 1995 he finished the project for blocs 6-7-8 in Ceramique Terrein, Maastricht.

In Spain he has completed the projects for the Meteorological Centre of Villa Olimpica in Barcelona; the Museum of Contemporary Art of Galicia and the Faculty of Information Sciences in Santiago de Compostela; the Rectorate of the Alicante University; Zaida building – offices, commercial and dwelling complex in Granada; Sportive Complex Cornellà de L’lobregat in Barcelona.

Cultural Centre and auditorium for the Ibere Camargo Foundation in Brazil; Municipal Centre of Rosario in Argentina; lodging-house in the Plan of Recuperation and Transformation of Cidade Velha in Cap Vert; Serpentine Pavillion (2005) with Eduardo Souto Moura; Museum of Modern Art of Naples in Italy; Anyang Pavilion in South Korea (with Carlos Castanheira); Mimesis Museum in South Korea (with Carlos Castanheira); are to be mentioned.

He has participated in several lectures and conferences in Portugal, Spain, Italy, Germany, France, Norway, Holland, Switzerland, Austria, England, Colombia, Argentina, Brazil, Japan, Canada, United States, Romania, Greece, South Korea and Sweden.

Having been invited to participate in international competitions, he won the first place in Schlesisches Tor, Kreuzberg, Berlin (now built), at the recuperation of Campo di Marte in Venice (1985) and at the renewal of Casino and Café Winkler, Salzburg (1986); Cultural Centre for the La Defensa, Madrid (with José Paulo Santos) (1988/89); J. Paul Getty Museum, Malibu, California (with Peter Testa) (1993); Pietà Rondanini Room, Sforzesco Castell, Milan (1999); Special Plan Recoletos-Prado, Madrid (with Juan Miguel Hernandez Leon e Carlos Riaño) (2002); Toledo Hospital (Sánchez-Horneros office) (2003); “Atrio de la Alhambra” in Spain (with Juan Domingo Santos)(2010); “Parco delle Cave”, Lecce in Italy (with Carlos Castanheira) (2010).

He has participated in the competitions for Expo 92 in Sevilla, Spain (with Eduardo Souto de Moura and Adalberto Dias) (1986); for "Un Progetto per Siena", Italy (with José Paulo Santos) (1988); the Cultural Centre La Defensa in Madrid, Spain (1988/89); the Bibliothèque of France in Paris (1989/90), the Helsinki Museum (with Souto de Moura) (1992-93); Flamenco City of Xerez de la Frontera, Spain (with Juan Miguel Hernandez Leon) (2003).

From 1982 to 2010 has won many different awards and have been assigned with Medals of Cultural Merit from many country around the world. Doctor "Honoris Causa" in various European and International universities.

He is a member of the American Academy of Arts and Science; "Honorary Fellow" of the Royal Institute of British Architects; AIA/American Institute of Architects; Académie d'Architecture de France and European Academy of Sciences and Arts; Royal Swedish Academy of Fine Arts; IAA/International Academy of Architecture; American Academy of Arts and Letters.

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Published on: February 13, 2018
Cite: "Álvaro Siza completes the Saint Jacques de la Lande church" METALOCUS. Accessed
<http://www.metalocus.es/en/news/alvaro-siza-completes-saint-jacques-de-la-lande-church> ISSN 1139-6415
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