With this second article (look first below) the first builing, part of a museum complex designed by Bernard Tschumi Architects, a new interpretive center on the site of the historic Battle of Alésia opens this weekend and in a formal ceremony on March 23, 2012. Located in Burgundy, France, the building marks the position of the Roman army, under Julius Caesar, and its encampment surrounding the Gauls under Vercingetorix in 52 B.C. The building will be open to the public starting on March 26th. A second museum building, contrastingly clad in stone, is also being constructed a kilometre away across the battlefield and the pair will together comprise the Alésia Museum complex.

Tschumi’s design features a cylindrical building with an exterior envelope made of wood, a material that references the Roman fortifications of the era, some of which are reconstructed in an area a short walk from the building.  The roof of the building is planted with low shrubs and trees, so as to minimize the visual impact of the building when seen from the hill above (the historical position of the Gauls).  The materiality and sustainable elements of the building are meant to make visitors aware of the surrounding landscape, which appears much as it would have 2000 years ago.  A second building on the hill will mark the location of the Gauls, and has a similar geometry but is clad in stone, evoking its trenched position.


Photography by Christian Richters.

The interpretive center will contain exhibits and interactive displays that contextualize the events of the Battle of Alésia and its aftermath.  The displays are intended to reach a broader audience than a museum, with a range of media and programs for all ages.

The second building will act as a more traditional museum, with a focus on found objects and artifacts unearthed from the site. The second building is scheduled to be completed in 2015.

Photography by Iwan Baan.

TECHNICAL SHEET.

Competition 1st prize, 2003.
Size: 60,000 square foot Museum. / 70,000 square foot Interpretative Centre.
Budget: $39,000,000.
Client: Bourgogne Region, France.
Team: Design Leader: Bernard Tschumi. Team: Competition, First design and design development: Joel Rutten, Kim Starr, Rémy Cointet, Adam Dayem, Jane Kim, KJ Min, Adrien Durrmeyer, Matt Stofen, with Véronique Descharrières. Construction Documents, Site control: Véronique Descharrières, Antoine Santiard, Rémy Cointet, Jean-Jacques Hubert. Landscape architect: Michel Desvigne. Mechanical engenier: Cabinet Choulet. Structure: AC Ingenierie.


Photography by Christian Richters.

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Bernard Tschumi was born in Lausanne, Switzerland, on January 25, 1944. He holds dual nationality, inherited from his French mother and his father, the renowned Swiss architect Jean Tschumi. He studied architecture at the Swiss Federal Institute of Technology (ETH) in Zurich. His early years were spent moving between Zurich and Paris, where he experienced the May 1968 protests firsthand.

After completing his studies that same year, he began teaching at the Architectural Association in London, then led by Albin Boyarsky, a pivotal figure in shaping the critical approach to architectural education and practice that Tschumi would later implement. This period placed him in an environment where he interacted with a generation of outstanding architects.

He later taught at prestigious institutions such as Princeton University and The Cooper Union in New York. Between 1988 and 2003, he served as dean of the Graduate School of Architecture, Planning, and Preservation at Columbia University, leaving an indelible mark on the education of architects and the intellectual discourse of the discipline. He continues to teach at Columbia today.

His theoretical work, writings, and both conceptual and built projects have been fundamental in redefining the relationship between architecture and theory. He explores the interplay between space, movement, and events as dynamic forces that shape spatial relationships and urban experiences.

Tschumi is widely recognized for his influential books, including The Manhattan Transcripts—a project developed through four exhibitions between New York and London—first published in 1978 and reissued in 1994 following an exhibition at MoMA. Another key publication, Architecture and Disjunction, further develops his interest in an architecture that transcends mere form and function, engaging instead with spatial dynamics, narrative structures, and urban events, ultimately redefining the concept of place.

His early theoretical ideas were materialized in one of his most iconic projects: Parc de la Villette in Paris. After winning the competition in 1982, the project evolved over the following years with the construction of multiple folies, culminating in 1998. Here, Tschumi developed his concept of spatial relationships within an architectural landscape that activates the interaction between individuals, space, and the city.

Tschumi is the founder and director of Bernard Tschumi Architects, with offices in New York and Paris. Beyond his work at La Villette, his most notable projects include the Acropolis Museum in Athens, the Le Fresnoy Contemporary Arts Center in France, and the Vacheron-Constantin headquarters in Geneva. His architecture consistently explores spatial fragmentation and sensory experience, challenging conventional notions of architectural composition.

His work has been recognized with prestigious accolades, including the Grand Prix National d’Architecture in France (1996), multiple awards from the American Institute of Architects, and the National Endowment for the Arts. He is an international member of the Royal Institute of British Architects in England and the Collège International de Philosophie in France. Additionally, he has been honored as an Officer of both the Légion d’Honneur and the Ordre des Arts et des Lettres.

Tschumi’s work has been exhibited in major museums and biennials worldwide, including the Museum of Modern Art in New York, the Venice Architecture Biennale, the Netherlands Architecture Institute in Rotterdam, and the Centre Pompidou in Paris.

His legacy continues to shape architectural practice and thought on a global scale.

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Published on: March 21, 2012
Cite: "Alésia Museum and Archaeological Park [II]" METALOCUS. Accessed
<http://www.metalocus.es/en/news/alesia-museum-and-archaeological-park-ii> ISSN 1139-6415
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