The architect Arturo Franco has developed the O Fieiro house project. The proposal includes the rehabilitation of a small stable for animals, a farmhouse from the year 1920 built with stone walls of large well-arranged granite ashlars.

To renovate the construction and transform it into a single-family home, the concept takes advantage of the original system of load-bearing walls that work in compression and use it as a container and support for a new structure of wooden floors working in tension.
The house designed by Arturo Franco was articulated around two main spaces in double and triple-height, visually connected in all their diagonals and constant relationship with the outside.

The old building becomes a house that is lived as a natural topography where the construction and structural system are solved only with three materials, wood, steel, and truck straps, in collaboration with the original stone.
 

Description of project by Arturo Franco

The village of O Fieiro is located in the natural environment of Mount Pindo, known as the Celtic Olympus, a granite rock formation from which all the traditional Galician houses in the area emerge.

The project includes the rehabilitation of a small stable for animals, a 1920 farmhouse built with stone walls of large well-arranged granite ashlars, 70-80 cm thick, with a gabled roof of fiber cement plates supported on a prestressed concrete joist structure.

The original house had an access corridor located in the center, separating two spaces, in one of them the stable for cattle was located, while in the other there was a kitchen with a stone oven and a niche where the sink, under the window. This space gave access to an upper floor, now demolished, through a stone staircase, where the rooms were located.

Adjacent to the house, to the northeast, there is a single-story stone attached volume, with a gabled roof, which housed a warehouse. On the southwest side, there is another volume integrated into the main volume, with two floors above ground, the second floor also demolished and also used as a warehouse. None of these volumes was connected from the inside, each one having its access from the outside.

The intervention to rehabilitate the block and transform it into a house is based on the general concept of taking advantage of its system of load-bearing walls that work in compression and use it as a container and support for a new structure of wooden floors working in tension.

The construction and structural system are solved with three materials, wood, steel, and truck straps, in collaboration with the original stone.

First, mechinal openings are made in the masonry walls at different heights in which three metal section sleepers are inserted. The pinewood plank floors are embedded in the masonry wall over the metal sleepers and fixed in compression using wooden wedges.

The slabs save spans of up to 5.20 meters. The planks are loose, without gluing or tongue and groove. To give them stability, there are tie-down straps that wrap them, these are fixed on the vertical stone faces using an anchoring system with stainless steel rings, making the whole work by traction.

Second, the original cover of prestressed concrete joists and fiber cement plates has been preserved, to which the second cover of fiber cement plates supported on metal strips has been placed, to generate a ventilated cover. In the west area, the original roof has been demolished to open a terrace on the upper floor and thus take advantage of the natural light from this orientation.

The entire structure remains visible, including protection on the underside of the deck made of solid pine wood slats supported on the wing of the concrete joist.

All exterior and interior carpentry, which were in poor or non-existent condition, have been replaced by new metal carpentry. And all the interior stone divisions have been preserved, cleaning up the walls and incorporating new holes to connect the spaces. Besides, other unique stone elements have been preserved, such as the stairs, the fireplace, the sink, and a sink.

The house has been articulated around two main spaces in double and triple-height, visually connected in all their diagonals and constant relationship with the outside. In them the program associated with the day is developed, such as eating, cooking, meeting, working, playing, socializing, relaxing, etc. The bedrooms are located in the integrated volume located in the west area, in a more private setting. Finally, in the annexed volume to the northeast, an additional bedroom has been located, which is independent of the main house.

To connect the vertical spaces, the original stairs have been preserved, with steps formed by large stones that unload their weight on the ground, as an antagonist, a new metal sheet stair has been designed that seems to levitate on the wooden floor.

The old block has thus become a house that is experienced as a natural topography. A cave unconventionally inhabited by little savages. As in the forest, in nature, on Mount Pindo, one has to move to look at the ground, and up, alert, with caution. A sustainable house like village houses, without technological impostures.

Text written during March 2020.-

“These days I am building a house in the village, the land of my ancestors, in Celtic Olympus [1]. In reality, it is a rehabilitation of a small stable for animals of large well-arranged granite ashlars. Almost like occupying a cave. I'm going to use only 7cm thick Oregon pine planks to solve the floors. You may wonder why from Oregon and not from the country. That's a fight between me and the moths. The moths suffer more from the stomach with a wood that is not indigenous and that, at least, is to win the first battle.

The floors have to bridge a distance between supports of 5.20 meters. Loose planks without gluing or tongue and groove will solve it all with the help of some simple truck straps.

The carpenter who sold me the wood says that it will not work, the structural calculator, an infallible type, has serious doubts, and I do nothing but appeal to common sense or what is the same, remember that evasive phrase: « But if God works by traction ”… We will soon know if, as old Oteiza wrote,“ God exists in the northwest ”[2], or maybe not.”


[1] It refers to Mount Pindo found in the Coruña council of Carnota.
[2] OTEIZA, Jorge: There is a god to the northwest, Navarra: Pamiela, 1990.

Text written during October 2020.-

“Now the old block has been turned into a house that is lived as a natural topography. A cave unconventionally inhabited by little savages. As in the forest, in nature, on Mount Pindo, one has to move to look at the ground, and up, alert, with caution. A sustainable house like village houses, without technological impostures. 70/80 cm stone walls, a triple ventilated roof made of fiber cement and wood and a new window opens to the west to squeeze the afternoon sun, so needed in this land without sun ”.

Read more
Read less

More information

Label
Architects
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Collaborators
Text
Technical Architect.- Diego Castellanos. Collaborating architects.- Patricia Herráez, Mario Azorín. Structures advisor.- Juan Rey - Mechanism, design and calculation of structures, S.L.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Builder
Text
Manuel Barreiro Castro.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Developer
Text
Ana Román.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Area
Text
199,82 sqm.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Budget
Text
€ 45,000.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Dates
Text
2020.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Manufacturers
Text
Timber warehouse.- Maderas Rado S.L. Carpenter.- Priegue S.L. Locksmith.- Talleres Lado S.L.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Location
Text
O Fieiro, Municipality of Mazaricos, La Coruña, Spain.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Photography
+ + copy Created with Sketch.
- + copy Created with Sketch.
Arturo Franco. Architect, critic and editor. As a critic and editor, his work has been focused on the exploration of contemporary Latin-American reality as well as intervention in heritage International PhD.

He is a professor of Analysis, theory and critique of architecture at the Polytechnic School of Architecture in Madrid (ETSAM) and has acted as visiting professor at many international universities. He also writes architecture reviews as a critic for ABC newspaper. He directed the Arquitectura COAM magazine (published by the Madrid architects’ association) from 2008 until 2012, and is now the director and editor of rita_ (linked to architecture schools of Spain and Latin-America) and the digital platform redfundamentos.

He boarded at the Real Academia de España (Royal Academy of Spain) in Rome 2013-2014. (AECID), Ministry of Foreign Affairs. Intern in ART_EX 2014-2015 program. AECID. Ministry of Foreign Affairs.

His work has been acknowledged by the Swiss Architecture Awards (2010); the great FAD award of Spain and Portugal (2012); a first prize by the Madrid City Council (2007); the Madrid Architects’ Association (2014, 2011 and 2007); the Galicia Architects’ Association (2002); the Latin-American Biennales of Cadiz (2012) and Rosario (2014); the Spanish Ministry of Public Works (2003); the Natural Stone Awards (2004); the Hispalyt Awards (2007); Arquia Proximas (2008); the FAD Awards (2014, 2012 and 2010); the ENOR Awards (2011 and 2007); the Saloni Awards (2010 and 2008); the Construmat Prize (2011) and the BAM Award (2012). 
Read more
Published on: November 5, 2020
Cite: "A house in traction inside another in compression. O Fieiro House by Arturo Franco" METALOCUS. Accessed
<http://www.metalocus.es/en/news/a-house-traction-inside-another-compression-o-fieiro-house-arturo-franco> ISSN 1139-6415
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...