Chinese architecture studio MAD, led by Ma Yansong, featured its project of the Hainan Science and Technology Museum. The new facilitiy is located on Haikou’s west coast, surrounded by sports stadiums and a National Wetland Park, in China.

The museum shaped like a cloud will break ground in late August 2021 and is scheduled to be completed and open to the public in 2024. Set against the backdrop of a rich tropical rainforest, the museum’s main pavilion will encompass 46,528 square metres.
Hainan Science and Technology Museum, designed by MAD Architects, begins the tour of the visit at the top, on the fifth floor, where the elevator opens to a 360-degree observation deck. Visitors on this uppermost floor will begin by exploring the technology and space galleries before proceeding down the ramp to the ocean and life science galleries on the fourth floor, the math and science galleries on the third floor, and the multimedia interactive experience area and children's playground, on the second floor.

The museum’s interior structure consists of three floor-to-ceiling cores, curved trusses, spiral ramps, a sloping exhibition space ascending from the central hall, with a skylight in the dome bathes the spacious atrium in natural light.
 

Project description by MAD Architects

MAD Architects, led by Ma Yansong, unveils their design for the Hainan Science and Technology Museum in Haikou City, Hainan. Located on Haikou’s west coast, surrounded by sports stadiums and a National Wetland Park, the museum is MAD’s second major public project in Hainan following the Cloudscape of Haikou, which opened in April 2021.

An important science venue and a major tourist attraction for Hainan's free trade port, the Hainan Science and Technology Museum will break ground in late August 2021 and is scheduled to be completed and open to the public in 2024.

MAD’s design for the museum draws from the site’s dual urban and natural context, one where a "primeval rainforest and technology of the future meet." Set against the backdrop of a rich tropical rainforest, the museum’s main pavilion is shaped like a cloud in dialogue with nature.

From a distance, the futuristic building appears to emerge from the city, while visitors entering in the museum area witness it floating above the jungle. The museum’s façade of fiber-reinforced plastic makes the building distinctive from both near and afar with its silver, reflective exterior and visionary aesthetic.

Encompassing a total area of 46,528 square meters, the museum will feature 27,782 square meters of above-ground facilities including permanent exhibition space, a planetarium, a giant-screen theater, and a flying theater. The museum’s interior structure consists of three floor-to-ceiling cores, curved trusses, spiral ramps, and a roof, all exposed to achieve harmony between the architectural forms and structural system. A skylight in the museum’s dome bathes the spacious atrium in natural light, creating a bright and transparent environment. A spiraling, sloping exhibition space ascends from the central hall over five floors, connecting visitors across the museum.

The exhibition experience begins on the fifth floor, where the elevator opens to a 360-degree viewing platform with the sea and cityscape visible in the distance. Visitors on this uppermost floor will begin by exploring the technology and space galleries before proceeding down the ramp to the ocean and life science galleries on the fourth floor, the math and science galleries on the third floor, and the multimedia interactive experience area and children's playground on the second floor. As visitors travel down the ramp, they can simultaneously enjoy the scenery and the exhibitions, and a gallery running alongside the ramp extends the viewing experience.

Outside, an undulating canopy extends from the main pavilion in all directions to create a space specifically conceived to accommodate the public in Haikou’s humid and rainy climate. The north side of the canopy also hosts the giant screen and flying theater and, in the southwest corner, the planetarium and observatory. The museum’s various outdoor public spaces, including a crater-like sunken plaza and reflecting pool, offer areas for rest and relaxation. The diversity of the surrounding tropical plants makes this an ideal setting for learning about nature, offering visitors more than simply an exhibition-viewing experience by also providing a pleasant environment to freely enjoy and experience nature.

Once completed, the Hainan Science and Technology Museum will serve as a destination for the exploration of science, technology, and nature, encouraging visitors to seek inspiration from both the urban and natural setting.

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Architects
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MAD Architects. Principal Partners.- Ma Yansong, Dang Qun, Yosuke Hayano. Associate Partners.- Kin Li, Fu Changrui, Tiffany Dahlen.
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Design Team
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Wang Yiding, Reem Mosleh, Sun Feifei, Alan Rodríguez Carrillo, Rozita Kashirtseva, Wu Qiaoling, Edgar Navarrete, Zhu Yuhao, Zheng Chengwen, Zhang Yaohui, Li Hui, Yang Xuebing, Dayie Wu, Zhou Haimeng, Lim Zi Han, Yin Jianfeng, Guo Xuan
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Collaborators
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Executive Architects.- China Construction Design International (CCDI).
Façade Consultant.- RFR Shanghai.
Landscape Consultant.- Earthasia Design Group.
Interior Design Consultant.- China Construction Design International (CCDI).
Lighting Consultant.- Beijing Sign Lighting Industry Group.
Signage Consultant.- China Construction Design International (CCDI).
Exhibition Consultant.- Tongji Architectural Design (Group) Co., Ltd.
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Client
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Hainan Association for Science and Technology.
Client Representative.- Haikou Urban Construction Group Co.,Ltd.
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Area
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Building Area.- 46,528 sqm.
Above ground.- 27,782 sqm.
Underground.- 18,746 sqm.
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Dates
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2019-2024.
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mad is a Beijing-based architecture design office dedicated to creating innovative projects. Founded by Ma Yansong in 2004, MAD Architects is led by Ma Yansong, Dang Qun, and Yosuke Hayano. It is committed to developing futuristic, organic, technologically advanced designs that embody a contemporary interpretation of the Eastern affinity for nature. With a vision for the city of the future based on the spiritual and emotional needs of residents, MAD endeavours to create a balance between humanity, the city, and the environment.

MAD's projects encompass urban planning, urban complexes, municipal buildings, museums, theatres, concert halls, and housing, as well as art and design. Their projects are located in China, Canada, France, Italy, Japan, the Netherlands, and the United States. In 2006, MAD won the design competition for the Absolute Towers in Mississauga, Canada. Through this, MAD became the first Chinese architecture firm to build a significant high-rise project abroad. In 2014, MAD was selected as the principal designer for the Lucas Museum of Narrative Art in Los Angeles, USA, becoming the first China-based architecture firm to design an overseas cultural landmark. MAD’s signature cultural projects include Ordos Museum (2011, China), Harbin Opera House (2015, China), Tunnel of Light (2018, Japan), China Philharmonic Concert Hall (under construction), Yiwu Grand Theater (under construction), FENIX Museum of Migration in Rotterdam (under construction), Cloudscape of Haikou (2021, China), and Shenzhen Bay Culture Square (under construction). Other urban projects include the Clover House kindergarten (2015, Japan), Chaoyang Park Plaza (2017, China), China Entrepreneur Forum Conference Centre (2021, China), Jiaxing Train Station (under construction), Quzhou Sports Campus (under construction), and Nanjing Zendai Himalayas Center (under construction), among others.

While practising architecture, MAD documents and discusses its reflections on architecture, culture, and arts through publications, architectural exhibitions, as well as academic lectures and presentations. MAD’s publications include Mad Dinner, Bright City, MA YANSONG: From (Global) Modernity to (Local) Tradition, Shanshui City, and MAD X. MAD has organized and participated in several contemporary art and design exhibitions, including MAD X, a solo exhibition at the Centre Pompidou in 2019; Shanshui City, at UCCA in 2014; Feelings are Facts, a spatial experience exhibition with artist Ólafur Eliasson at UCCA in 2010; and MAD in China, a solo exhibition at the Danish Architectural Center, Copenhagen in 2007. MAD has participated in significant exhibitions at several iterations of the Venice Architecture Biennale and Milan Design Week. MAD has also participated in exhibitions at the Victoria and Albert Museum (London), the Louisiana Museum of Modern Art (Copenhagen), and MAXXI (Rome). An array of MAD’s architecture models have been acquired by the Centre Pompidou and M+ Museum (Hong Kong) as part of their permanent collections.

MAD has offices in Beijing (China), Jiaxing (China), Los Angeles (USA), and Rome (Italy).

Ma Yansong, Yosuke Hayano and Qun Dand.

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Ma Yansong is a Beijing-born architect (1975) recognized as an important voice in a new generation of architects. He graduated from the Beijing Institute of Civil Engineering and Architecture. Ma attended Yale University after receiving the American Institute of Architects Scholarship for Advanced Architecture Research in 2001 and holds a master's degree in Architecture from Yale. 

He shares his knowledge as an adjunct professor at the Beijing University of Civil Engineering and Architecture, Tsinghua University, and the University of Southern California. Ma Yansong's journey is a continuous narrative unfolding, exploring innovation and pushing the boundaries of what we perceive as the built environment.

Since the founding of MAD in 2004, his works in architecture and art have been widely published and exhibited. Ma Yansong was awarded the 2006 Architecture League Young Architects Award. In 2008 he was selected as one of the twenty most influential Young Architects today by ICON magazine and Fast Company named him one of the ten most creative people in architecture in 2009. In 2010 he became the first architect from China to receive a RIBA fellowship.

“I work with emotion and with the context. When I design a building, I close my eyes and feel as if I saw a virtual world which lays half way between the city, the nature and the land. It goes from large scale to small scale. Many things travel in front of my eyes; I feel them and try to find the way to express my feelings. The language I use is the least important of it all. It does not matter whether they are straight lines, curves... I only intend for people to feel the same or to find something unexpected” says Ma Yansong. “MAD is an attitude, a posture towards architecture, towards society. Through our work we want people to be inspired by a place through local nature, time and space”, he states.

Photograph by Daniel J.Allen

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Published on: August 13, 2021
Cite: "A cloud between the jungle and the city. Work begins on MAD's Hainan Science and Technology Museum " METALOCUS. Accessed
<http://www.metalocus.es/en/news/a-cloud-between-jungle-and-city-work-begins-mads-hainan-science-and-technology-museum> ISSN 1139-6415
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