Last September we announced here the beginning of the proposed Gwangju Follies of 2013. Once finished, we bring here the final results.

(Previously.- Gwangju Folly II 2013, in METALOCUS) The invited teams were asked to interpret the ambivalent dual function inherent in the typology of architectural follies - between contextualization and decontextuali-zation, between serving everyday needs of citizens yet also questioning complacency by provoking political discourse and possibly action:

- to be contextual and practical, offering a new, hitherto missing practical public function such as improved public space, public facilities, a public access or improving an existing one; thus can be enjoyed by the citizens of Gwangju in an everyday basis.

- to provide a sense of rupture, enigma, the unexpected, which will provoke a multitude of links between past histories and myths and present day discourses on issues of human rights and citizen participation in Gwangju and across the globe.

Thus, the Follies will become strategic interventions which are local/ in-situ but, at the same time, decontextualized and therefore acknowledging that discourse on citizens rights today blurs all temporal dimensions of past, present and future and unfolds across complex spatial and political geographies and actor networks blurring local and global scales.

It is this special agency of the folly to activate the space between everyday and utopia, to serve practical needs yet at the same time become stages, which activate and provoke discourse, which will be tested and celebrated in Gwangju in 2012.

CREDITS

President of the Gwangju Biennale Foundation: Yongwoo Lee
Artistic Director: Nikolaus Hirsch
Curators: Eui Young Chun, Philipp Misselwitz

Venue.-The Gwangju Biennale Foundation 111, Biennale-ro, Buk-gu,Gwangju, Republic of Korea.

David Adjaye & Taiye Selasi: Gwangju River Reading Room
Ai Weiwei: Cubic Meter Food Cart
Seok-hong Go & Mihee Kim: Memory Box
Rem Koolhaas & Ingo Niermann: Vote
Raqs Media Collective: Autodidact's Transport
Do Ho Suh & Suh Architects: In-between Hotel
Superflex: Power Toilets / UNESCO
Eyal Weizman with Samaneh Moafi: Roundabout Revolution

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Eui Young Chun (1963 / Corea) es un arquitecto residente en Seúl y profesor en la Escuela de Arquitectura de la Universidad de Kyonggi. Terminó su doctorado en la Universidad Nacional de Seúl en 1999 y es un graduado de la Harvard University Graduate School of Design. Su trabajo incluy la reforma del edificio L-view en Seúl (2000), el hospital Kwon en Suwon-City (2002), la sede para Noblesse en Seoul (2004), 'K' Publishing en Paju (2005), y el edificio de la Escuela de Arquitectura de la Universidad de Kyonggi (2011). Chun ha sido Director General de la Seoul Design Olympiade en 2009.

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Philipp Misselwitz (*1974, Jena/ Alemania del Este) es arquitecto, investigador urbanista y comisario con sede cerca de Estrasburgo / Francia y Berlín. Actualmente está llevando la Cátedra Internacional de Urbanismo en el Instituto de Urbanismo de la Universidad de Stuttgart. Se educó en la Universidad de Cambridge (Bachelor of Architecture, 1996) y en la Architecture Association de Londres (Diploma AA , 2001) y recibió un doctorado en arquitectura y urbanismo por la Universidad de Stuttgart (2009).  Con anterioridad dió clases en la Metropolitan University de Londres, en la Architecture Association School of Architecture y en la Universidad de las Artes de Berlín. Miembro fundador de "urban catalyst/catalizador urbano" del grupo de investigación de arquitectura con sede en Berlín  (www.urbancatalyst.net). Desde 2005 , ha trabajado como investigador en el Instituto de Planificación Urbana de la Universidad de Stuttgart.

Ha trabajado como consultor, coordinador de proyecto, investigador y comisariado de varias organizaciones alemanas e internacionales, como la alemana  Development Cooperation (GIZ), Naciones Unidas, Bundeskulturstiftung, Goethe Institute, Robert Bosch Foundation y la Allianz Kulturstiftung en Alemania, Reino Unido, Turquía , Siria , Jordania, Cisjordania.

Su más reciente exposición “"Space, Time, Dignity, Rights”" se inauguró en mayo de 2012 en el Centro Alemán de Arquitectura de Berlín (DAZ). Su trabajo de comisariado (con Can Altay) también incluye "Refuge" (2009) encargado por la Bienal Internacional de Arquitectura de Róterdam (2009), "Open City Istanbul" (2010) por encargo de Estambul Capital Europea Cultura 2010.

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Nikolaus Hirsch is an architect, curator, editor, and educator. Since autumn 2020 he is the Artistic Director of the architecture museum CIVA in Brussels, and previously was the Dean of Städelschule and Director of Portikus in Frankfurt.

He has taught at the Architectural Association in London, Institut für Angewandte Theaterwissenschaften at Giessen University, HfG Karlsruhe, Penn University in Philadelphia, and Columbia University in New York. His architectural work includes the award-winning Dresden Synagogue, Bockenheimer Depot Theater (with William Forsythe), unitednationsplaza (with Anton Vidokle), Cybermohalla Hub in New Delhi, and “Do We Dream Under The Same Sky“ (Art Basel, LUMA Arles).

Hirsch curated numerous exhibitions at Portikus, and „ErsatzStadt“ at Volksbühne Berlin (2005), “Cultural Agencies” (Istanbul, 2009/10), “Folly” for the Gwangju Biennale (2013), “Housing Question” at the HKW in Berlin (2015).

He is the author of the books “On Boundaries” (2007), "Institution Building" (2009), “Cybermohalla Hub” (2012), co-editor of the Critical Spatial Practice series at Sternberg Press and co-founder of e-flux architecture.

Photography by Armin Linke.

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Rem Koolhaas was born in Rotterdam in 1944. He began his career as a journalist, working for the Haagse Post, and as a set-designer in the Netherlands and Hollywood. He beganHe frequented the Architectural Association School in London and studied with Oswald Mathias Ungers at Cornell University. In 1978, he wrote Delirious New York: a retroactive manifesto for Manhattan, which has become a classic of contemporary architectural theory. In 1975 – together with Elia and Zoe Zenghelis and Madelon Vriesendorp – he founded OMA (Office for Metropolitan Architecture).

The most important works by Koolhaas and OMA, from its foundation until the mid-1990s, include the Netherlands Dance Theatre at The Hague, the Nexus Housing at Fukuoka in Japan, the Kunsthal in Rotterdam, the Grand Palais of Euralille and Lille, the Villa dall’Ava, the Très Grande Bibliothèque, the Jussieu library in Paris, the ZKM in Karlsruhe and the Seattle Public Library.

Together with Koolhaas’s reflections on contemporary society, these buildings appear in his second book, S,M,L,XL (1995), a volume of 1376 pages written as though it were a “novel about architecture”. Published in collaboration with the Canadian graphic designer, Bruce Mau, the book contains essays, manifestos, cartoons and travel diaries.

In 2005, with Mark Wigley and Ole Bouman, he was the founder to the prestigious Volume magazine, the result of a collaboration with Archis (Amsterdam), AMO and C-lab (Columbia University NY).

His built work includes the Qatar National Library and the Qatar Foundation Headquarters (2018), Fondation Galeries Lafayette in Paris (2018), Fondazione Prada in Milan (2015/2018), Garage Museum of Contemporary Art in Moscow (2015), the headquarters for China Central Television (CCTV) in Beijing (2012), Casa da Musica in Porto (2005), Seattle Central Library (2004), and the Netherlands Embassy in Berlin (2003). Current projects include the Taipei Performing Arts Centre, a new building for Axel Springer in Berlin, and the Factory in Manchester.

Koolhaas directed the 2014 Venice Architecture Biennale and is a professor at Harvard University, where he directs The Project on the City, a research programme on changes in urban conditions around the world. This programme has conducted research on the delta of the Pearl River in China (entitled Great Leap Forward) and on consumer society (The Harvard Design School Guide to Shopping). Taschen Verlag has published the results. Now is preparing a major exhibition for the Guggenheim museum to open in 2019 entitled Countryside: Future of the World.

Among the awards he has won in recent years, we mention here the prestigious Pritzker Architecture Prize (2000), the Praemium Imperiale (2003), the Royal Gold Medal (2004) and the Mies Van Der Rohe prize (2005). In 2008, Time mentioned him among the 100 most influential people of the planet.

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David Adjaye was born in Dar es Salaam, Tanzania, in 1966. The son of a Ghanaian diplomat who has lived in Tanzania, Egypt, Yemen, and Lebanon before moving to Britain at the age of nine, he led a privileged life and was privately educated. He earned his BA at London South Bank University, before graduating with an MA in 1993 from the Royal College of Art. In 1993, the same year of graduation, Adjaye won the RIBA Bronze Medal, a prize offered for RIBA Part 1 projects, normally won by students who have only completed a bachelor's degree.

Previously a unit tutor at the Architectural Association, he was also a lecturer at the Royal College of Art. After very short terms of work with the architectural studios of David Chipperfield (London) and Eduardo Souto de Moura (Porto), Adjaye established a practice with William Russell in 1994 called Adjaye & Russell, based in North London. This office was disbanded in 2000 and Adjaye established his own eponymous studio at this point.

Recent works include the Museum of Contemporary Art in Denver, the Nobel Peace Centre in Oslo, and the Skolkovo Moscow School of Management completed in 2010. On April 15, 2009, he was selected in a competition to design the $500 million National Museum of African American History and Culture, part of the Smithsonian in Washington, D.C., planned to open in 2015. His design features a crown motif from Yoruba sculpture.

Alongside his international commissions, Adjayes work spans exhibitions, private homes, and artist collaborations. He built homes for the designer Alexander McQueen, artist Jake Chapman, photographer Juergen Teller, actor Ewan McGregor, and artists Tim Noble and Sue Webster. For artist Chris Ofili, he designed a new studio and a beach house in Port of Spain. He worked with Ofili to create an environment for the Upper Room, which was later acquired by Tate Britain and caused a nationwide media debate. He also collaborated with artist Olafur Eliasson to create a light installation, Your black horizon, at the 2005 Venice Biennale. He has also worked on the art project Sankalpa with director Shekhar Kapur. Adjaye coauthored two seasons of BBC's Dreamspaces television series and hosts a BBC radio program. In June 2005, he presented the documentary, Building Africa: Architecture of a Continent. In 2008, he participated in Manifesta 7.

In February 2009, the cancellation or postponement of four projects in Europe and Asia forced the firm to enter into a Company Voluntary Arrangement (CVA), a deal to stave off insolvency proceedings which prevents financial collapse by rescheduling debts – estimated at about £1m – to creditors.

Adjaye currently holds a Visiting Professor post at Princeton University School of Architecture. He was the first Louis Kahn visiting professor at the University of Pennsylvania, and was the Kenzo Tange Professor in Architecture at Harvard Graduate School of Design. In addition, he is a RIBA Chartered Member, an AIA Honorary Fellow, a Foreign Honorary Member of the American Academy of Arts and Letters, and a Senior Fellow of the Design Futures Council. He also serves as member of the Advisory Boards of the Barcelona Institute of Architecture and the London School of Economics Cities programme.

The studio's first solo exhibition: "David Adjaye: Making Public Buildings" was shown at the Whitechapel Gallery in London in January 2006, with Thames and Hudson publishing the catalogue of the same name. This followed their 2005 publication of Adjaye's first book entitled "David Adjaye Houses".

http://www.adjaye.com

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Ai Weiwei is a chinese conceptual artist, also works as an architect, photographer, curator and globally recognised human rights activist. Born in 1957 in Beijing, he began his training at Beijing Film Academy and later continued at the Parsons School of Design in New York City.

His work has been exhibited around the world with solo exhibitions at Stiftung DKM, Duisburg (2010); Mori Art Museum, Tokyo (2009); Haus der Kunst, Munich (2009); Sherman Contemporary Art Foundation, Cambelltown Arts Center, Sydney (2008); and the Groninger Museum, Groningen (2008), and participation in the 48th Venice Biennale in Italy (1999, 2008, 2010); Guangzhou Triennale in China (2002, 2005), Busan Biennial in Korea (2006), Documenta 12 in Germany (2007), and the 29th Sao Paulo Biennial in Brazil (2010). In October 2010, Ai Weiwei's "Sunflower Seeds" was installed in the Tate Modern Turbine Hall, London. Ai Weiwei participated in the Serpentine Gallery's China Power Station exhibition in 2006, and the Serpentine Gallery Map Marathon in 2010.

The last solo exhibitions included Ai Weiwei in the Chapel, on view at Yorkshire Sculpture Park through November 2, 2014; Evidence at the Martin-Gropius-Bau, Berlin, 2014; and Ai Weiwei: According to What?, which was organized by the Mori Art Museum, Tokyo, in 2009, and traveled to North American venues in 2013–14. Ai collaborated with architects Herzog & de Meuron on the “bird’s nest” stadium for the 2008 Beijing Olympics and on the Serpentine Gallery, 2012 London. He has been the recipient of numerous awards and honors, including the Václav Havel Prize for Creative Dissent from the Human Rights Foundation in 2012.


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David Chipperfield was born in London in 1953 and studied architecture at the Kingston School of Art and the Architectural Association School of Architecture in London before working at the practices of Douglas Stephen, Richard Rogers and Norman Foster.

In 1985 he founded David Chipperfield Architects, which today has over 300 staff at its offices in London, Berlin, Milan and Shanghai.

David Chipperfield has taught and held conferences in Europe and the United States and has received honorary degrees from the universities of Kingston and Kent.

He is a member of the Royal Institute of British Architects (RIBA) and an honorary fellow of both the American Institute of Architects (AIA) and the Bund Deutscher Architekten (BDA). In 2009 he was awarded the Order of Merit of the Federal Republic of Germany and in 2010 he received a knighthood for services to architecture in the UK and Germany. In 2011 he received the RIBA Royal Gold Medal for Architecture and in 2013 the Praemium Imperiale from the Japan Art Association, while in 2021 he was appointed a member of the Order of the Companions of Honour in recognition of a lifetime’s work.

In 2012 he curated the 13th International Architecture Exhibition of the Venice Biennale.

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Published on: December 3, 2013
Cite: "8 follies by Ai Weiwei, Superflex, David Adjaye, Rem Koolhaas and others" METALOCUS. Accessed
<http://www.metalocus.es/en/news/8-follies-ai-weiwei-superflex-david-adjaye-rem-koolhaas-and-others> ISSN 1139-6415
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