Today is International Working Women's Day and from METALOCUS we have selected ten large international architecture studios (On this occasion two series, yesterday we published the first of this edition) founded and led by women with a successful professional career. All of them have relevant projects, although not all of them are sufficiently known.

In our sixth edition we want to pay tribute to the effort of studios exclusively led by female architects so we selected, as in previous editions, ten important architecture firms to continue with the series, in its sixth edition.

These are this year's studios led by hard-working and strong women. - Ellen van Loon. OMA - Sheila O'Donnell. O'Donnell + Tuomey. - Xu Tiantian. DNA - Design And Architecture. - Lilly Reich. - María Langarita. Langarita-Navarro​. - Frida Escobedo. Frida Escobedo. - Anne Tyng. - Belinda Tato. ecosistema urbano​. - Blanca Lleó. Blanca Lleó. - Tatiana Bilbao. Tatiana Bilbao ESTUDIO. 
 

  • Ellen van Loon OMA


Ellen van Loon (b. Rotterdam, Netherlands, 1963). She studied architecture at the Technische Universiteit in Delft. A year after graduating from university, he started working at the firm Foster and Partners where he participated in the transformation of the Reichstag, the New German Parliament in Berlin.

Subsequently, she became one of the main partners of the Office for Metropolitan Architecture (OMA), leading association of architecture, urbanism and cultural analysis. Among its main projects are the ''Casa da Música'' in Oporto, the Congress Center of Córdoba and the Mercati Generali in Rome.

In its architecture we find a sensitive talent for design and a keen business acumen together with an understanding of the technical and operational aspects. In addition, we find a concern for the study of the materiality of the outer and inner envelopes. The philosophy of its architecture is based on creating conceptually strong buildings with a great sensitivity in the details.

"I have never made a distinction between men and women architects. Some architects who inspire me are men and others are women. At OMA, I have to say that the buildings I designed with a mixed team always seem to be better. The architects are very good at the rational while the architects can add "softness" to the design and dual interpretations; more layers, so to speak, at all scales of architecture. ''
 

 
Sheila O'Donnell (b. Dublin, Ireland, 1953). She founded the O'Donnell + Tuomey studio together with John Tuomey in 1988. She graduated from University College Dublin in 1976, when he moved to London. In 1980 she received a master's degree in Environmental Design from the Royal College of Art London. She worked for James Stirling, Colquhoun + Miller and Spence and Webster before returning to Dublin.

In the early 1980s, she created the Blue Studio Architecture Gallery, which exhibited and published the work of European rationalists, as well as his own design proposals for the regeneration and repopulation of the Dublin Docklands. In 1991, now known as Group 91, they won the contest for the urban regeneration of Temple Bar in the center of Dublin. This cultural district was completed in 1996 and includes two O'Nonnell + Tuomey buildings.

His professional work has continued to develop the spirit of architectural, social and cultural research that characterized his exploratory activities in the early eighties. She has maintained a participation in the world of architecture in London through teaching, external examination, exhibition of works, conferences and as a member of the RIBA Awards group. In recent years, O'Donnell + Tuomey was commissioned to do work in London, build the Photographers Gallery and the LSE Student Center and is now working on a new museum for V & A and a theater and dance academy for Sadler's Wells .

She has been professor of architectural design at UCD since 1981 and teacher since 2016. She has taught and taught at architecture schools in Europe, Japan and the USA. UU., Including Princeton, Michigan, Buffalo, Yale, Columbia, Syracuse and Cooper Union.
 


Xu Tiantian (b. Beijing, China, 1975) is a Chinese architect, founder of the DnA_Design and Architecture studio in 2004 in Beijng. An interdisciplinary study that addresses our contemporary life environment, both physical and social, from small to large scales.

She studied architecture at Tsinghua University in Beijing and the degree of Master of Architecture in Urban Design at the Harvard Graduate School of Design, later working in different studios in the United States of America and the Netherlands. According to her, her architecture resides in function and geometry. In several interviews she confirms the Chinese reality, which does not consider a paradise for architecture but an opportunity to try to project and build. She develops his architecture in public projects and private clients, interested in avant-garde processes.

One of his first big projects is the Museum of Art in Songzhuang (2005-2006), with the purpose of giving relevance to what he exhibits and not to himself.

In 2005, the project for the Ordos Art Museum began, which was built between 2006 and 2007. It is a dune that enhances the profile of the lake to which it is dumped, a single space that snakes and knots with light inputs that they contract and expand. Ordos is a Mongolian desert city projected for 1,000,000 inhabitants where today there are no more than 20,000 people living, being one of the largest ghost cities in the world.
 
  • Lilly Reich 


Lilly Reich (b. Berlin, Germany, 16 June 1885 - d. Berlin, Germany, 14 December 1947). In 1908, she started working in the Viennese workshop of Josef Hoffmann. In 1920, she became the first female member of its board of directors. She directed her own studio of interior design, decorative art and fashion in Berlin until 1924. Until 1926, she directed a studio for the design and fashion of exhibitions in Frankfurt am Main and worked in the Frankfurt trade fair office as an exhibition designer.

Reich met Ludwig Mies van der Rohe in 1926 and collaborated with him in the design of an apartment and other projects for the Deutscher Werkbund exhibition held in Stuttgart in 1928. In 1927, she moved to her own studio and apartment in Berlin. In mid-1928, Mies van der Rohe and Reich were named artistic directors of the German section of the 1929 World Exposition in Barcelona, ​​probably due to their successful collaboration at the Deutscher Werkbund exhibition in Stuttgart.

In 1932, Lilly Reich played an important role in the Bauhaus in Dessau and Berlin. In January 1932, the third director of the Bauhaus, Ludwig Mies van der Rohe, appointed her director of the construction / finishing department and the weaving workshop at the Bauhaus Dessau. She also continued to serve in this position at the Bauhaus Berlin, where she worked until December 1932.

In 1937, Reich and Ludwig Mies van der Rohe were commissioned to design the German Reich exhibition for the German textile and clothing industry in Berlin. Subsequently, this was shown in the textile section of the German Pavilion at the 1937 World Exposition in Paris. In 1939, she traveled to Chicago and visited Mies van der Rohe there. After her return to Germany, Reich was recruited to the military engineering group Organization Todt (OT). After the war (1945/46), she taught interior design and construction theory at the University of the Arts in Berlin. Reich directed an architecture, design, textiles and fashion studio in Berlin until her death.
 

 
María Langarita (b. Zaragoza, Spain, 1979), is an architect of Spanish origin with a degree from the School of Architecture of the University of Navarra. Referent of the new generation of Spanish architects thanks to its prolific and innovative work. She is currently a professor of projects at the School of Architecture of Madrid.

In 2005 together with Víctor Navarro, they formed the architecture office Langarita-Navarro. The study emerged in the new economic situation of Spain plunged into a socio-economic crisis, so that the new generations of architects have had to face working conditions installed in a precarious economic and material means. María herself defines her work as an architecture "very involved in innovation processes, fresh, contemporary and fun, where each project is an opportunity to investigate and explore unconventional limits."

His key work, the Red Bull Academy in Nave 15 of Matadero Madrid, marked the international launch in 2012 of the study created. "It was an ephemeral construction, but very exciting and intense.We built a music academy sponsored by Red Bull in just two months, and this project allowed us to apply many of the innovative designs and ideas we had created in the studio." It was an incredible experience and enriching. "

Then, other important assignments were closed, such as Serrería Belga, in Madrid and social housing in Barcelona.
 

 
Frida Escobedo (b. Mexico City, Mexico, 1979). She graduated as an architect and urban planner at the Universidad Iberoamericana. She completed a master's degree in Art, Design and Public Domain at the Graduate School of Design at Harvard.

In 2003, together with Alejandro Alarcón, she founded the Perro Rojo studio. One of his most outstanding works is the `` Black House '', designed for a single person with a desire to live surrounded by nature. The small house is supported by four columns and can be seen in the distance when going down the road, on the outskirts of Cuernavaca.

As of 2006, she works independently ranging from minimal housing to pavilions of museums and facilities. Frida in her works enhances the purity of materials, explosion of color, textures, diaphanous expression of space, whose purpose is to exalt modernity. Its architecture also stands out for giving great importance to shapes, lines and reflections. A clear example would be the Hotel Boca Chica in Acapulco.

Since 2007, she is a professor at the Universidad Iberoamericana.
 
  • Anne Tyng


Anne Tyng (b. Jiangxi, People's Republic of China, 14 July 1920 - d, Greenbrae, California, United States, 27 December 2011), American architect who received her bachelor's degree in Fine Arts from Radcliffe University in 1942. Later, she studied at the School of Architecture at Harvard University, obtaining in 1944 the degree of Master of Architecture, being one of the first women in achieving it. Tyng was the only woman who in 1949 presented the exam to obtain the license to practice the profession, having problems during the same with the examiners when refusing to apply the exam.

In 1945 she started working in the studio of Louis Kahn and Oscar Stonorov, working with urban and housing projects. In 1947, Kahn was in a separate study of Stonorov in which Anne joined.

In 1965 she was the first woman to receive a grant from the Graham Foundation that was destined to study the subject of geometric patterns: Anatomy of Form: The Divine Proportion in the Platonic Solids.

In 1989, Tyng published the essay, "From Musa to Heroin, Towards a Visible Creative Identity," which was a study of the development of the creative role of women in architecture. In it, she writes: "The passage from muse to heroin is achieved by very few.Most women who study architecture marry architects.In a short time the woman is behind the man, the architect in partnership with her husband is usually little visible next to the (mostly a little behind him) the hero. " He also mentions "The biggest obstacle for an architect today is the psychological development necessary to unlock her creative potential."

Tyng's influence on the work of Louis Kahn was finally recognized when the Institute of Contemporary Art of Philadelphia held a retrospective exhibition of his work in 2010.
 


Belinda Tato (b. Madrid, Spain, 1971). Co-founder of the Madrid Ecosistema Urbano studio and a Harvard professor. In 2000 she created his own studio together with José Luis Vallejo, which can be defined as an urban social design by which they collect the design of environments, spaces, dynamics and tools to improve the self-organization of citizens, social interaction within communities and its relationship with the environment. Since then, the studio has received more than 30 awards in national and international architectural design competitions and over the last four years, its work has been covered by more than 100 media from 30 countries and its projects have been exhibited in multiple galleries, museums and institutions.

She studied architecture at the School of Architecture of Madrid (ETSAM) of the Polytechnic University of Madrid. Later, she continued his studies at the school of architecture and urban planning "The Bartlett School" of the University College of London.

Belinda believes that the design of cities must take into account the quality of life of its citizens. Nicknamed "the inventor of the trees" since one of her projects resembled huge plants in order to create conditions that make cities more human and inclusive.

She herself points out that "there is a huge gap between academic and professional life, and although the schools are full of highly talented architects, the work reality does not reflect it. In this profession more than in others, the gender issue emerges As a handicap, this work requires numerous personal sacrifices and, sometimes, it is difficult to manage without enough family and social support. "
 


Blanca Lleó (b. Madrid, Spain, 1959). Spanish architect with a degree in the School of Architecture of Madrid.

In 1985, she founded his own architecture studio thanks, in part, to all the prizes won. One of his first projects, together with Jesús San Vicente and Pedro Urzaizm, was the Bibliobus. This project is about a library bus whose purpose is to bring reading to towns where there is no library. Blanca's project would include both the bus design and the campaign.

In 2019, she was elected Academician of the Royal Academy of Doctors of Spain in the section 9th Architecture and Fine Arts, and in 2018, at the proposal of the Superior Council of the Associations of Architects of Spain, she received the NAN honorific award for her professional career.

The best known works of the Madrid architect are her two residential proposals together with the MVRDV studio in the Sanchinarro neighborhood of Madrid: the Mirador Building and the Celosía Building. Blanca reflects on the residential use of architecture as we can also see in her thesis La casa, dream of living in the modern project, an unfinished project (1996).

Blanca Lleó combines teaching with professional activity. Professor of Architectural Projects since 2012 and professor since 1990 at the School of Architecture of the Univ. Politécnica de Madrid. She is one of only two professors of the School of Architecture of Madrid, where she has her own teaching unit that allows her "independence in the way of teaching".

"We must leave space for young people, I had many opportunities: to build a prison, to create buildings ... Now is the time" - Blanca Lleó
 
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Tatiana Bilbao (b. Mexico City, Mexico, 1972), She studied architecture and urbanism at the Universidad Iberoamericana in 1996. In 1998 she won an honorable mention for his career and an appreciation for the best thesis of the year. She is a consultant for urban projects in the Secretariat of Urban Development and Housing of Mexico City from 1998 to 1999.

In 1999, together with architect Fernando Romero, she founded the company Laboratorio de la Ciudad de México (LCM), a study characterized by generating ideas to promote knowledge of contemporary culture. Later, in 2004 she founded Tatiana Bilbao S.C, whose first project was the Exhibition Hall in Jinhua.

Tatiana has a clear objective: "... that architecture is once again architecture; that architecture is again useful to people and their activities, leaving aside the interests of capital. "This explains why each of his works is different from one another. Another of its objectives is to do everything with simple and pure materials. Clarifies that the material "... is the one that generates the structure, the one that generates the aesthetic definition of the space, the one that generates the isolation part and does not add anything to the material."

For Tatiana, the subject of being a woman is a subject that at first caused her even anger, since she never thought of herself as different. "They invite me to all the parties, to all the conferences and everywhere, because they need to have a gender equity. There are many men and there are very few women and that is why I am in all the garlic. "
 

More information

Ellen van Loon (Rotterdam, 1963) joined OMA in 1998 and became Partner in 2002. She has led award-winning building projects that combine sophisticated design with precise execution. Recently completed projects led by Ellen include the shop-in-shops for Jacquemus at Galeries Lafayette and Selfridges (2022), the temporary showroom in Doha and store on Avenue de Montaigne in Paris for Tiffany & Co. (2022-23), Monumental Wonders exhibition for SolidNature in Milan (2022). Bvlgari Fine Jewelry Show (2021), Brighton College (2020), BLOX / DAC in Copenhagen (2018), Rijnstraat 8 in The Hague (2017), and Lab City CentraleSupélec (2017). Other projects in her portfolio include Fondation Galeries Lafayette (2018) in Paris; Qatar National Library (2017); Amsterdam’s G-Star Raw Headquarters (2014); De Rotterdam, the largest building in the Netherlands (2013); CCTV Headquarters in Beijing (2012); New Court Rothschild Bank in London (2011); Maggie’s Centre in Glasgow (2011); Casa da Musica in Porto (2005) – winner of the 2007 RIBA Award; and the Dutch Embassy in Berlin (2003) – winner of the European Union Mies van der Rohe Award in 2005. Ellen is currently working on The Factory Manchester – a large performing arts venue for the city; the renovation of Kaufhaus des Westens (KaDeWe) Berlin – Europe’s biggest department store – and the design of Lamarr, a new department store in Vienna; and the Palais de Justice de Lille.

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Sheila O'Donnell (Dublin, Ireland, 1953), gets the B.Arch at University College Dublin in 1976, working for Spencer & Webster from 1978-1980, and Colquhoun and Miller between 1979 and 1980. In 1980, she obtained the Master of Arts from the Royal College of Art (RCA) in London, the same year she starts working for Stirling Wildford & Associates (London). O'Donnell has served as visiting professor at various universities like Princeton, Buffalo and Washington. He has been jury of awards such as the Royal Institute of British Architects (2005-2009), and member of the Royal Institute of Architects of Ireland (Ireland) and the American Institute of Architects.

Sheila O'Donnell and John Tuomey established O'Donnell + Tuomey in 1988. The practice has developed an international reputation for cultural, social and educational buildings including the Irish Film Centre, Ranelagh School, Furniture College, Letterfrack, Glucksman Gallery, Cork, Timberyard Social Housing and the Lyric Theatre in Belfast. They are currently engaged in the design of university buildings, schools, housing and mixed use buildings in Ireland and the UK. They have been involved in urban design projects including the Temple Bar regeneration in Dublin and the Zuid Poort masterplan in Delft. Both lecture in University College Dublin and have taught at a number of schools of architecture in UK and USA including AA, Cambridge, Princeton, Harvard, Syracuse and Buffalo Universities. O'Donnell + Tuomey's work has been widely published and exhibited and has received many national and international awards.

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DnA_Design and Architecture is an interdisciplinary practice addressing our contemporary living environment,both physical and social,from scales small to large.

Their approach to projects starts with research and discussion on context,program,and their interaction,which we believe are the fundamental elements,or the DnA,that will define design and architecture,to adapt,engage,and contribute to our society of multiplicity and complexity.

Contextprogram,and their potential relationship,will cultivate architecture into a multidimensional expression and generate new experiment and exploration for users.Architecture will continue to influence and inspire our contemporary life.

Xu Tiantian is founding principal of DnA_Design and Architecture Beijing Office.She received her master of Architecture in Urban Design from Harvard Graduate School of Design,and her baccalaureate in architecture from Tsinghua University in Beijing.Prior to establishing DnA Beijing,She worked at a number of design firms in the United States and the Netherlands.She has received 2006 WA China Architecture Award and 2008 Young Architects Award from The Architectural League New York.
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Lilly Reich (b. Berlin, Germany, 16 June 1885 - d. Berlin, Germany, 14 December 1947). In 1908 she moved to Vienna, where she worked at the Wiener Werkstätte, an association of artists, architects and designers who prusued the integration of all the arts in a common project, without distinction between major and minor arts, after training to become an industrial embroiderer, Lilly Reich began working briefly at the Viennese studio of architect, Josef Hoffmann. In 1911, she returned to Berlin and met Anna and Hermann Muthesius.

In 1912, she became a member of the Deutscher Werkbund (German Work Federation, an association founded in 1907 formed by industrialists, architects and artists that defined the German industrial design). In 1920, she became the first female member of its board of directors. She was also a member of the Freie Gruppe für Farbkunst (independent group for colour art) in the same organisation.

In 1914, she collaborated on the interior design of the Haus der Frau (woman’s house) at the Deutscher Werkbund exhibition in Cologne. She managed a studio for interior design, decorative art and fashion in Berlin until 1924. In the same year, she travelled to England and Holland with Ferdinand Kramer to view modern housing estates. Until 1926, she managed a studio for exhibition design and fashion in Frankfurt am Main and worked in the Frankfurt trade fair office as an exhibition designer.

Reich met Ludwig Mies van der Rohe in 1926 and collaborated closely with him on the design of a flat and other projects for the Deutscher Werkbund exhibition held in Stuttgart in 1928. In 1927, she moved into her own studio and apartment in Berlin. In mid-1928, Mies van der Rohe and Reich were appointed as artistic directors of the German section of the 1929 World Exhibition in Barcelona, probably owing to their successful collaboration on the Deutscher Werkbund exhibition in Stuttgart. In late 1928, Mies van der Rohe began to work on the design for the Tugendhat House in the Czech town of Brno. This was completed in 1930 and, alongside the Barcelona Pavilion, it is considered to be a masterpiece of modern architecture. The interior design for Tugendhat House was created in collaboration with Lilly Reich.

In 1932, Lilly Reich played an important role at the Bauhaus in Dessau and Berlin. In January 1932, the third Bauhaus director, Ludwig Mies van der Rohe, appointed her as the director of the building/finishing department and the weaving workshop at the Bauhaus Dessau. She also continued to serve in this capacity at the Bauhaus Berlin, where she worked until December 1932.

In 1934, Reich collaborated on the design of the exhibition Deutsches Volk – Deutsche Arbeit (German people – German work) in Berlin. In 1937, Reich and Ludwig Mies van der Rohe were commissioned to design the German Reich exhibition of the German textile and clothing industry in Berlin. This was subsequently displayed in the textile industry section of the German Pavilion at the Paris World Exhibition of 1937. In 1939, she travelled to Chicago and visited Mies van der Rohe there. Following her return to Germany, Reich was conscripted to the military engineering group Organisation Todt (OT). After the war (1945/46), she taught interior design and building theory at Berlin University of the Arts. Reich ran a studio for architecture, design, textiles and fashion in Berlin until her death in 1947.
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María Langarita (1979) is architect graduate from Universidad de Navarra, awarded with the Premio Nacional Fin de Carrera. She has been associate lecturer at the Architectural Projects Departament, at the Universidad de Navarra and at the ETSA Madrid, and as lecturer at the ETSAZ, Zaragoza, Spain. Víctor Navarro (1979) is architect graduate from the ETSA Madrid, he actually works as lecturer in Architectural Projects at the Universidad Europea de Madrid. They are both now developing their doctorate thesis. At the same time, Víctor Navarro together with Roberto González are co-founders of Urgente, defined as an aperiodic publication for the dissemination of documents that may be of current interest.

They work together since 2005. They have been prize winners in several competitions, among which the following could be highlighted: the renovation of the Nave 15 at Matadero Madrid to become the Red Bull Music Academy 2011, second prize at the international competition for the ARCO Actual Art Center in Madrid, first prize at the Intermediae/Prado international competition in Madrid, in an advanced stage of construction nowadays, and their work has been selected to be exhibited in different places and events like the XI BEAU Spanish Architecture and Urbanism Bienale (Comillas, Madrid, 2011), YAP Space Maxxi Roma (2011), XI Bienale Venezia (2008), FreshForward in Madrid (2007), 44 International Young Architects (travelling exhibition, Barcelona, 2007), and at the RojoMáquina Gallery, Madrid (2007). They also have been invited to a number of conferences and workshops, and they also have been jury in the Santo Domingo Bienale.

 

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Frida Escobedo López (b. 1979, Mexico City) founded her practice in 2006, after four years as co-director of the architectural firm Perro Rojo. Her award-winning work has focused mainly on reactivating urban spaces that are considered to be residual or forgotten.

In 2004 she was awarded the Scholarship for Young Creators by the National Fund for Arts and Culture (FONCA) and in 2008 she was selected by Herzog & de Meuron as one of the architectural studios to participate in the Ordos 100 Project in Inner Mongolia, China. In 2009, she was a winner of the Young Architects Forum, organised by the Architectural League of New York. In 2013, she was selected as one of the three finalists for the Architecture programme at the Rolex Mentor and Protégé Arts Initiative and was nominated for the Arc Vision Prize for Women and the Iakov Chernikhov Prize. In 2014, she was selected as a finalist for the Designs of the Year at the Design Museum in London and was nominated for the Mies Crown Hall Americas Prize of the Illinois Institute of Technology. In 2014, she won the Ibero-American Biennale of Architecture and Urbanism Prize (IX BIAU) in Rosario, Argentina. In 2017, she received the Emerging Voices Award by the Architectural League of New York.
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Anne Griswold Tyng (Lushan, China, July 14, 1920 - December 27, 2011) was an architect and teacher known, among other things, for her struggle for the emancipation of women in the field of the artistic profession.

Due to the sabbatical year her father took, in 1938 Anne traveled with her family to the United States. She was the fourth daughter of this American Episcopal missionary. Later he would return to stay permanently in this country.

After graduating from Radcliffe University, Anne Tyng would be, in 1942, one of the first women to receive an architecture award from Harvard University, Massachusetts (1944). He studied with Walter Gropius and with Marcel Breuer.

After his academic training, Tyng worked with Konrad Wachsmann in New York (1944), with the industrial design firm of Van Doren, Nowland, and Schladermundt (1944), and in the office of Knoll Associates (1944-1945).

Anne Tyng was a woman who learned architecture and worked with some of the best architects, which made her take a place in the modern history of architecture.
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Ecosistema urbano is a Madrid based group of architects, urban designers and professionals specialized in urban innovation projects, operating within the principles of design thinking at the intersection between different disciplines: architecture, urban design, engineering, sociology... 

ecosistema urbano was co founded in 2000 by architects Belinda Tato and Jose Luis Vallejo who have been the directors since then. Their approach can be defined as urban social design by which they understand the design of environments, spaces, dynamics and tools in order to improve the self-organization of citizens, social interaction within communities and their relationship with the environment. Ecosistema Urbano has used this philosophy to design and implement projects in urban contexts from different countries: Norway, Denmark, Spain, Italy, France, China, Russia, Paraguay, Bahamas, Ecuador, Bahrein, Honduras, USA, etc...

Ecosistema Urbano is specialized in urban consultancy projects (architecture and urban design), public space quality assessment and leads urban transformation processes (from initial conceptualization to final implementation) working for local, national governments and multilateral agencies. In recent years, their research has focused on the design of public spaces and its climatic conditioning, for contexts and climates as diverse as Bahrain or Norway. They have also designed and developed methodologies that incorporate participatory mechanisms with digital tools to allow collaborative network design.
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Blanca Lleó is a PhD architect, Chair Professor since 2012 and professor since 1990 of Architectural Design at the School of architecture of Madrid. Visiting Research at CambridgeUniv. (UK) and Princeton University, Visiting Professor at Rhode Island School of Design and at Cranbrook Academy of Art (USA). Professor invited at the Univ.Nacional de Colombia (Medellín),atChineseUniv. of Hong Kong, at Univ. Europea de MadridUEM and at Univ. Politécnica Catalunya ETSAB.

In 2019 has been choosen Academic of the Royal Academy of Doctors of Spain (Architecture and Fine Arts section), and in 2018 Blanca received the honorary NAN award for her professional career proposed by the Consejo Superior de los Colegios de Arquitectos de España (National Spanish Architects Council).

Recently, her lastest research work Vivir 100 Años Longevidad y Ciudad Futura in collaboration with Tokyo University has obtained the First Prize from the XIII Spanish Architecture and Urban Planning Bienalle (BEAU).

Blanca’s research about contemporary and modern house has been published in books such as InformeHabitar (Madrid 2006) and Sueño de Habitar (Barcelona, 1998 Arquia y 2005 GG), the later awarded the following: Premio Extraordinario Tesis Doctoral UPM, Caja de Arquitectos Award, COAM Awardand Bienal Iberoamericana.

Since 1985 she owns her own Architecture Office and has developed diverse buildings. Therefore, it can be distinguished the following projects: Nules lighthouse (First National Award Competition), Lorca’s city Hall (First National Award Comp.), Cadiz’s Park Sea Park (First National Award Comp.), Bibliobus (First Award of the City Hall of Madrid), Jaen’s Prision, Mirador building (First Award City hall of Madrid, finalist FAD awards, mention Spanish Biennal) and the Celosía Building (Finalist FAD AwardsSelected Mies van der Rohe Award) in collaboration with MVRDV, Mare DeuBuilding (SostianableEndesaAward), diverse projects for the historic Center of Toledo, Consorcio Zona Franca in Barcelona,Sitge’s City Hall, projects for private clients such as - Acciona, Necso o Parquesur - single houses as casa M, casa Perdiz, casa F,etc. She has also worked as a curator and designer for diverse exhibitions (Ignazio Gardella. Arquitectura a través de un siglo at MOPU and “El amor y el éxtasis”. Isabel Muñoz in Canal Isabel II).

Blanca’s works and buildings have been exhibited at the Biennale di Venezia, at the Museum of Modern Art (MoMA) in New York, at the TokioDesign Week, at the Aedes Gallery Berlin, in Shanghai International Exhibition 2010, atRIBA London, at the BEAU, in La Habana, in Moscow, etc. Moreover, her projects and researches have been published in international and national magazines such as Domus, Bauwelt, Arquitectura, Quaderns, SUMMA +, El Croquis, On diseño, Arquitectura Viva, a+t, Assemblage, JSAH, Compasses (Dubai), T+a (China), Wallpaper, Detail, etc.

Blanca has been invited to international conferences and seminars at GSD Harvard University, GSAPP Columbia University, University of Tokyo, Seoul National University, Università di Venezia, The Royal Danish Academy of Fine Arts, Cervantes Institute, and at the universities of B. Aires, Hong Kong, Santiago de Chile, La Habana, Kuala Lumpur, Singapore, Frankfurt, Cerdeña, Istanbul, Medellín, among others.

Other positions held: Independentexpert of the Mies van der Rohe Prize, Member of the National Commission for the Evaluation of the Investigative Activity CNEAI, Member of the Court International Postgraduate Scholarships La Caixa, Vice Dean and co-Director for International Relationships of ETSAM, Member of the Commission of Quality of the Barcelona City Council, Patron of the Alejandro de la Sota Foundation and the National Museum of Architecture, Member of the Caja de Arquitectos and Patron of its Foundation.
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Tatiana Bilbao (Mexico City, 1972). Graduated from Architecture and Urbanism at Universidad Iberoamericana in 1996, in 1998 she won honorable mention for her career and also appreciation for the best thesis of the year. Advisor for Urban Projects at the Urban Housing and Development Department of Mexico City in 1998-99. As advisor for the government, Tatiana was member of the urban council of the city.

In 1999 co-founds LCM S.C. In 2004 starts Tatiana Bilbao S.C. with projects in China, Spain, France and Mexico. Also in 2004 founds MXDF along with architects Derek Dellekamp, Arturo Ortiz and Michel Rojkind. MXDF is an urban research center, attending the production of space, its occupation, its defense and control in Mexico City.

In 2005 becomes design professor at Universidad Iberoamericana. Awarded with the Design Vanguard for one of the top 10 emerging firms of the year in 2007 by Architecture Record. Visiting professor at Andres Bello University in Santiago de Chile in Autumn 2008. Named as Emerging Voice by the Architecture League of NY in 2009.

In 2010 two partners joined David Vaner and Catia Bilbao. In December 2010 three projects where acquired by the Centre George Pompidou in Paris, France to be part of their Architectural Permanent Collection. Critics in universities such as Techknik Munich, MIT, UPenn, ETH etc. Spring semester 2013 she is visiting professor at FH Düsseldorf, Germany.

 

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Published on: March 8, 2019
Cite: "10 Architecture Studios Led by Women [VI]" METALOCUS. Accessed
<http://www.metalocus.es/en/news/10-architecture-studios-led-women-vi> ISSN 1139-6415
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