MPavilion 2019 in Melbourne by Glenn Murcutt opens Australian Design Landmark
12/11/2019.
[Melbourne] Australia 14.11.2019 > 22.03.2020
metalocus, JOSÉ JUAN BARBA
metalocus, JOSÉ JUAN BARBA
Glenn Murcutt: Architect’s Statement
The MPavilion is firstly a real pavilion: historically, a pavilion is a tent, a light and temporary building. I felt a crisp white building that at night could be lit from within its roof—like a lantern in the Queen Victoria Gardens, giving the pavilion a feeling of lightness, would sit comfortably in the location. The pavilion is designed so that it can also be very easily dismantled and relocated.
I think that the pavilion needed to address the city, so that from within the building you could view the gardens, and beyond to the river, and the city: a foreground, a middle ground and the distant ground. Having the pavilion face north, open towards the river, I could work with good climatic conditions. With the sun at 76 degrees at noon thereabouts at summertime it achieves shade, and combined with the northern aspect, it was logical to extend the building beyond the existing square grid foundation.
When I was designing the pavilion, during the very early period, I recalled a trip I made in Mexico about thirty years ago, to the Yaxchilán ruins, which were being restored at the time. I had been invited to see the ruins with a small group and we travelled by light aircraft to an airfield slotted amongst the tropical jungle. For lunch, we had a picnic in the shade provided by the wing of the aircraft. In the high humidity of the tropical climate we laid out a tablecloth on the ground establishing ‘place’. After lunch, I put my rucksack against the aircraft’s under carriage and laid down, and there above me was the beautiful wing, lined with aircraft fabric—which led me to the MPavilion’s roof—with the tablecloth as my place, together with my view the Yaxchilán, and the surrounding forest it was a wonderful moment. There was my beginning of the pavilion. The MPavilion has a flap along the edge of the roof, like the aileron on an aircraft wing, which allows the fabric membrane to stretch over it and shed water.
To me it was amazing that this single engine, small aircraft made of wood and aircraft fabric had not only taken me all that way but had also created, from these light materials, a temporary place for me to sit with in the shade and towards the view of the stone ruin, much like the MPavilion will.
Glenn Murcutt AO is one of Australia’s most respected architects. He has received twenty-five Australian architecture awards, including the RAIA Gold Medal, and international awards such as the prestigious Pritzker Architecture Prize; Alvar Aalto Medal (Finland); Richard Neutra Award (United States); ‘Green Pin’ International Award for Architecture and Ecology (Denmark); and the Asia Pacific Culture and Architecture Design Award.
Murcutt was born in London, to Australian parents, in 1936. He grew up in the Morobe district of New Guinea, where he developed an appreciation for simple, primitive architecture. After graduating in 1961 with a degree in architecture from the University of New South Wales, Sydney, Murcutt travelled for two years before returning to Sydney to work in the office of Ancher, Mortlock, Murray and Woolley. He remained with this firm for five years before establishing his own practice in 1970.
Murcutt’s small but exemplary practice is well known for its environmentally sensitive designs with a distinctive Australian character. His buildings, which are principally residential, are a blend of modernist sensibility, local craftsmanship and respect for nature.