The most well-known and recognised site in AlUla is Hegra, the principal southern city of the Nabataean Kingdom and is comprised of more than 100 well preserved tombs with elaborate facades cut into sandstone outcrops. Current research suggests Hegra was the most southern outpost of the Romans after conquering the Nabataeans in 106 CE.
Nouvel emphasised the importance of preserving such a unique landscape: “AlUla is a museum. Every wadi and escarpment, every stretch of sand and rocky outline, every geological and archeological site deserves the greatest consideration. It’s vital we keep all its distinctiveness and conserve its attractiveness, which largely rests on its remote and occasionally archaic character. We have to safeguard a little mystery as well as the promise of discoveries to come.”
Nouvel’s commitment to respecting AlUla’s landscape and ancient heritage has not meant shying away from modern architectural ideas. “AlUla deserves to acquire a degree of modernity,” he suggests. “Envisioning the future is a never-ending obligation that requires us to be fully alive to places in the present as well as conjuring up the past.”
Jean Nouvel explains how he’s adapting old ways of life to our modern world, minimising the impacts on natural and urban landscapes. To do this Nouvel has introduced a new typology of architecture, using abstraction, sculpting within the landscape itself rather than competing with it. Inspired by the Nabateans, it plays on the old ways of living to build on the present and meet the challenges of the future. Jean Nouvel integrates the way Nabateans interacted with their environment, both verticality and horizontality, to reconnect to the earth and build sustainable habitats, away from the heat of the summer and the cold of the winter.